Dreams, Delusions, Virtual Realities: Possible Worlds of Science Fiction

  • Simona Micali University of Siena
Keywords: Science Fiction, Virtual Realities, Philip K. Dick, Matrix, Inception

Abstract

This paper aims at contributing to the ongoing investigation on the specific features and functioning of SF worlds, in what concerns both the strategies of world building and the mechanisms of aesthetic reception. It begins with a general introduction to the main features of SF works in relation to the more general field of speculative fiction. In the second part, two particular models of SF worlds are considered: parallel universes and virtual realities. In the last section, the paper provides a closer reading of three works which focus on the status of virtual worlds and problematize their relationship with the ‘real’ world: the novel Ubik (1969) and the films Matrix (1999) and Inception (2010).

Downloads

Download data is not yet available.

Author Biography

Simona Micali, University of Siena
Department of Education, Human Sciences and Intercultural Communication

References

Blackford, Russel-Broderick, Damien (eds), Intelligence Unbound: The Future of Uploaded and Machine Minds, Oxford, Wiley Blackwell, 2014.

Ceserani, Remo, Il fantastico, Bologna, Il Mulino, 1996.

Cline, Ernest, Ready Player One, London, Arrow Books, 2012.

Csicsery-Ronay, Istvan Jr., The Seven Beauties of Science Fiction, Middletown (CT), Wesleyan University Press, 2011.

De Kerckhove, Derrick – de Almeida, Cristiana Miranda (eds), The Point of Being, Newcastle, Cambridge Scholars Publishing, 2014.

Dick, Philip K., Ubik, in Counterfeit Realities, New York, SFBC, 2002.

Doležel, Lubomír, Heterocosmica: Fiction e mondi possibili (1998), Milano, Bompiani, 1999.

Doležel, Lubomír, “Counterfactual Narratives of the Past”, Possible Worlds of Fiction and History: The Postmodern Stage, Baltimore, John Hopkins University Press, 2010: 101-126.

Fassone, Mario, “Effetto film: Ready Player One di Steven Spielberg”, L’indice dei libri del mese 35: 5 (2018):

https://www.lindiceonline.com/focus/cinema/steven-spielberg-ready-player-one/ (ultima consultazione: 22 novembre 2019).

Gibson, William, Neuromancer, New York, Ace Books, 1984.

Jameson, Fredric, Archaeologies of the Future. The Desire Called Utopia and Other Science Fictions, London-New York, Verso, 2005.

Johnson, Steven A., Interface Culture: How New Technology Transforms the Way We Create and Communicate, New York. Basic Books, 1999.

Lavocat, Françoise, “Crossing the Borders of Fiction. Do Non-Existent Objects Have Bodies?”, Neohelicon 2 (2013): 431-448.

Lino, Mirko, “Una ‘singolare’ spettralità tecnologica: l’avatar tra cinema, letteratura e serie TV”, Ritorni spettrali: Storie e teorie della spettralità senza fantasmi, Eds. E. Puglia-M. Fusillo-S. Lazzarin-A.M. Mangini, Bologna, Il Mulino, 2018: 185-205.

Littlewood, Derek – Stockwell, Peter (eds), Impossibility Fiction: Alterativity, Extrapolation, Speculation, Amsterdam, Rodopi, 1996.

McHale, Brian, Constructing Postmodernism, New York, Routledge, 1992.

Michaud, Thomas, “Science Fiction and Politics: Cyberpunk Science Fiction as Political Philosophy”, New Boundaries in Political Science Fiction, Eds. D.M. Hassler – C. Wilcox, Columbia (SC), University of South Carolina Press, 2008: 65-77.

Micali, Simona, “Displacement, straniamento, utopia: a spasso per altri mondi”, Esilio, Ed. R. Russi, Firenze, Le Monnier, 2008: 90-101.

Micali, Simona, Towards a Posthuman Imagination in Literature and Media: Monsters, Mutants, Aliens, Artificial Beings, Oxford, Peter Lang, 2019.

Muri, Allison, “Of Shit and the Soul: Tropes o Cybernetic Disembodiment in Contemporary Culture”, Body&Society 9: 3 (2003): 73-92.

Olson, Jonathan, “Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige”, The Cinema of Christopher Nolan: Imagining the Impossible, Eds J. Furbi-S. Joy, New York, Columbia University Press, 2015: 44-61.

Papacharissi, Zizi (ed), A Networked Self: Identity, Community, and Culture on Social Network Sites, New York, Routledge, 2011.

Pier, John, “Metalepsis”, 2016, the living handbook of narratology, Eds. P. Hühn et al., Hamburg, Hamburg University:

http://www.lhn.uni-hamburg.de/article/metalepsis-revised-version-uploaded-13-july-2016

 (ultima consultazione: 23 giugno 2019). 

Poe, Edgar Allan, The Facts in the Case of M. Valdemar (1845), London, Harper Collins, 2014.

Priarolo, Mariangela, “«There is no spoon». Percezione e realtà nel cinema hollywoodiano di fine millennio”, Contemporanea: Rivista di studi sulla letteratura e sulla comunicazione, 2 (2004): 113-22.

Rosenfeld, Gavriel D., “Why Do We Ask «What If?» Reflections on the Function of Alternate History”, History and Theory, 51: 4 (2002): 90-103.

Rossi, Umberto, The Twisted Worlds of Philip K. Dick: A Reading of Twenty Ontologically Uncertain Novels, Jefferson (NC), McFarland, 2014.

Ryan, Johnny, A History of the Internet and the Digital Future, London, Reaktion Books, 2010.

Ryan, Marie-Laure, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media, Baltimore, John Hopkins University Press, 2001.

Ryan, Marie-Laure, “From Parallel Universes to PossibleWorlds: Ontological Pluralism in Physics, Narratology, and Narrative”, Poetics Today, 27: 4 (Winter 2006): 633-74.

Schneider, Susan (ed.), Science Fiction and Philosophy. From Time Travel to Superintelligence, Hoboken (NJ), Wiley, 2016.

Sconce, Jeffrey, Haunted Media: Electronic Presence from Telegraphy to Television. Durham-London, Duke University Press, 2000.

Suvin, Darko, Le metamorfosi della fantascienza (1979), Bologna, Il Mulino, 1985.

Vint, Sherryl, Science Fiction: A Guide for the Perplexed, London-New York, Bloomsbury, 2014.

Walton, Kendall L., Mimesi come far finta. Sui fondamenti delle arti rappresentazionali (1990), Milano, Mimesis, 2011.

Wolf, Fred Alan, Parallel Universes: The Search for Other Worlds, New York, Simon&Schuster, 1988.

Published
2019-12-02
How to Cite
Micali, S. (2019). Dreams, Delusions, Virtual Realities: Possible Worlds of Science Fiction. Between, 9(18). https://doi.org/10.13125/2039-6597/3802