Etica criminale. Le trasformazioni della figura dell’antieroe nella serialità televisiva
Abstract
Scopo dell’articolo è mostrare come nelle più recenti produzioni della serialità televisiva sia emersa la figura di un protagonista sempre più negativo, assimilabile alla figura di un eroe tragico. Questa figura atipica di protagonista solleva la questione della sua accettabilità da un punto di vista etico da parte dello spettatore. Un tentativo di risposta a tale quesito viene cercato nella prospettiva dell’etica narrativa di derivazione Ricoeur e McIntyre.
Downloads
Riferimenti bibliografici
Aristotele, “Poetica”, Retorica, Poetica. Opere, 10, traduzione di M. Valgimigli, Roma-Bari, Laterza, 1986: 191-271.
Allegra, Antonio, Identità e racconto. Forme di ricerca nel pensiero contemporaneo, Napoli, Edizioni Scientifiche Italiane, 1999.
Bauman, Zygmunt, Postmodern Ethics, Oxford, Blackwell, 1993 (trad. it. Le sfide dell’etica, Milano, Feltrinelli, 1996).
Carroll, Noël, Theorizing the Moving Image, Cambridge (UK), Cambridge University Press, 1996.
Carroll, Noël, Engaging the Movie Image, Haven (CT), Yale University Press, 2003.
Carroll, Noël, “Sympathy for the Devil”, The Sopranos and Philosophy: I Kill Therefore I Am, Eds. Richard Greene - Peter Vernezze, La Salle, IL, Open Court, 2004: 121–136.
Carroll, Noël, “Movies, the Moral Emotions, and Sympathy”, Midwest Studies in Philosophy, XXXIV (2010): 1-19.
Carroll, Noël, “Rough Heroes: A Response to A.W. Eaton”, The Journal of Aesthetics and Art Criticism, 71.4 (2013): 371–376.
Cattaneo, Francesca, Etica e narrazione. Il contributo del narrativismo contemporaneo, Milano, Vita & pensiero, 2011.
Donnelly, Ashley M., Renegade Hero or Faux Rogue: The Secret Traditionalism of Television Bad Boys, Jefferson, NC, McFarland, 2014.
Eaton, Anne W., “Rough Heroes of the New Hollywood”, Revue Internationale de Philosophie, 4 (2011): 511-524.
Eaton, Anne W., “Robust Immoralism”, The Journal of Aesthetics and Art Criticism, 70.3 (2012): 281-92.
Eaton, Anne W., “Reply to Carroll: The Artistic Value of a Particular Kind of Moral Flaw”, The Journal of Aesthetics and Art Criticism, 71.4 (2013): 376–380.
Forster, Edward Morgan, Aspetti del romanzo (1927), Milano, Garzanti, 1991.
Frye, Northrop, Anatomia della critica (1957), Torino, Einaudi, 1969.
Garcia, Alberto N., “El fenómeno de la serialidad en la tercera edad de oro de la televisión”, La figura del padre nella serialità televisiva, Ed. E. Fuster, Roma, EDUSC, 19-42, 2014.
Garcia, Alberto N. (ed.), Emotions in Contemporary Tv Series, London, Palgrave McMillan, 2016.
Garcia, Alberto N., “Moral Emotions, Antiheroes and the Limits of Allegiance”, Emotions in Contemporary Tv Series, Ed. A.N. Garcia, London, Palgrave McMillan, 2016: 52-70.
Grillo, Eduardo, “Dexter Morgan, le metamorfosi di un eroe postmoderno”, Il trionfo dell’antieroe nelle serie televisive, Ed. A. Bernardelli, Perugia, Morlacchi, 2012: 127-142.
Kemp, Peter, ”Narrative Ethics and Moral Law in Ricœur”, Paul Ricœur and Contemporary Moral Thought, Eds. J. Wall - W. Schweiker, New York and London, Routledge, 2002: 32-46.
Kieran, Matthew, “Emotions, Art and Immorality”, The Oxford Handbook of Philosophy of Emotion, Ed. Peter Goldie, Oxford, Oxford University Press, 2010.
Lotz, Amanda D., Cable Guys: Television and Masculinities in the 21st Century, New York and London, New York University Press, 2014.
MacIntyre, Alasdair C., After Virtue: A Study in Moral Theory, Notre Dame (IN), University of Notre Dame, 1984² (Dopo la virtù. Saggio di teoria morale, Mialno, Feltrinelli, 1993).
Martin, Brett, Difficult Men: Behind the Scenes of a Creative Revolution From the Soprano’s and the Wire to Mad Men and Breaking Bad, New York, Penguin Books, 2013.
Mittel, Jason, Complex Tv: The Poetics of Contemporary Television Storytelling, New York, New York University Press, 2015.
Nelson, Robin, State of Play: Contemporary “High End” Tv Drama, Manchester and New York, Manchester University Press, 2007.
Ortoleva, Peppino, “Le radici e il mito. La dimensione urbana del crimine attraverso i media”, Tutta un’altra fiction. La serialità pay in Italia e nel mondo. Il modello Sky, Eds. M. Scaglioni - L. Barra, Roma, Carocci, 2013: 105-8.
Pichard, Alexis, Le nouvel âge d'or des séries américaines, Paris, Editions Le Manuscrit, 2011.
Plantinga Carl - Smith Greg M. (eds), Passionate Views: Film, Cognition and Emotion, Baltimore (MD), Johns Hopkins University Press, 1999.
Plantinga, Carl, Moving Viewers: American Film and the Spectator’s Experience, Berkeley (CA), University of California, 2009.
Plantinga, Carl, “«I Followed the Rules, and They All Loved You More»: Moral Judgment and Attitudes toward Fictional Characters in Film”, Midwest Studies in Philosophy, XXXIV (2010): 34-51.
Raney, Arthur A., “Expanding Disposition Theory: Reconsidering Character Liking, Moral Evaluations and Enjoyment”, Communication Theory, 14.4 (2004): 348–69.
Raney, Arthur A. - Shafer, Daniel M., “Exploring How We Enjoy Anti-hero Narratives”, Journal of Communication, 62.6 (2012): 1028-46.
Ray, Nicholas, “A Different Kind of Cop: Exception and Complicity in The Shield”, Ed. Nicholas Ray, Interrogating The Shield, New York, Syracuse University Press, 2012: 166-85.
Ricoeur, Paul, Soi-même comme un autre, Paris, Seuil, 1990 (trad. it. Sé come un altro, Milano Jaca Book, 1993).
Smith, Murray, Engaging Characters: Fiction, Emotion and the Cinema, Oxford, Clarendon Press, 1995.
Smith, Murray, “Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer?”, Ethics at the Cinema, Eds. Ward Jones and Samantha Vice, Oxford University Press, 2011: 66–90.
Tan, Ed S., Emotion and the Structure of Narrative Film: Film as an Emotion Machine, Mahwah (NJ), Lawrence Erlbaum, 1996.
Thompson, Robert, Television's Second Golden Age: From Hill Street Blues to ER, New York, Syracuse University Press, 1997.
Vaage, Margrethe Bruun - Blanchet, Robert, “Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series”, Projections, 6.2 (2012): 18–41.
Vaage, Margrethe Bruun, “Fictional Reliefs and Reality Checks”, Screen 54.2 (2013): 218-37.
Vaage, Margrethe Bruun, The Antihero in American Television, London, Routledge, 2015.
Van Der Werff, Todd, “The Golden Age of TV Is Dead; Long Live the Golden Age of TV”, The AV Club, 20.09.2013, http://www.avclub.com/article/the-golden-age-of-tv-is-dead-long-live-the-golden-103129 (ultimo accesso 20/01/2016).
Warshow, Robert, “The Gangster as Tragic Hero” (1948), Id., The Immediate Experience: Movies, Comics Theatre and Other Aspects of popular Culture, Cambridge (MA), Harvard University Press, 1962: 127-33.
Wayne, Michael L., “Ambivalent Anti-heroes and Racist Rednecks on Basic Cable: Post-race Ideology and White Masculinities on FX”, Journal of Popular Television, 2.2 (2014): 205-225.
Informazioni sul copyright
Questa licenza permette a terzi di riprodurre, distribuire, comunicare al pubblico, esporre in pubblico, rappresentare, eseguire, recitare e modificare quest'opera, purché vengano citati l'autore e la rivista. Questa è la più ampia tra le licenze Creative Commons, rispetto alle libertà concesse a terzi sulle opere licenziate sotto Attribuzione.