For «the love of Man and in praise of God»: onanism and religiosity under the lens of the eroicomic in the young Dylan Thomas

  • Alfredo Palomba University of Naples "Federico II"
Keywords: Dylan Thomas, Onanism, Religiosity, Eroicomic, Poetry

Abstract

Both the spheres of the religious and the corporal in Dylan Thomas’s poetry, especially in the poems of the first collection, 18 Poems (1934), are very much linked together, suggesting a sort of ‘body religiousness’, according with a declaration of the poet which opens the Collected Poems (1953): they’re poems written «for the love of Man», rife with a spirituality which originates deeply from the flesh, we could say from the things’ core, «and in praise of God», that God and that Christ who are as one with the Man, and wouldn’t be holy at all if not considered in their granitic terrenity, as a communion of body, animality and earth. The Lord, the Savior, even the devil are always present as symbols, metaphors: «whether praised or dismissed, – writes W. Y. Tindall – God and Christ are always around in Thomas’ poetry […] as metaphors for nature, poet, and their creative powers» (W. Y. Tindall, A Reader’s Guide to Dylan Thomas (1962), New York, Syracuse University Press, 1996, p. 8). In the poem My hero bares his nerves both of the spheres cooperate under a gloomy, ironic lens; young Thomas, barely a twenty-year-old when 18 Poemscame out, describes the masturbatory act with peremptory, eroicomic tones (the «hero», indeed, having been identified with the erected penis) connected to various themes of his early poetics: sin, sex, fertility, writing  poetry, here sarcastically associated to onanism. Mystic and blaspheme is the conclusive evocation of Christ, «the hunger’s emperor» (D. Thomas, Poesie e racconti, cit. p. 21), crucified between the two thiefs, alluding to the orgasm as the maximum tension before the death which makes the body parched. Only water – a mockingly toilet, cistern water – can, as the River Jordan, flush away the poet’s sin and relieve the Savior’s sacrifice.     

 

Author Biography

Alfredo Palomba, University of Naples "Federico II"

Alfredo Palomba completed his PhD in Comparative Literatures at the University of Naples “L’Orientale”, discussing a thesis about urban paranoia in English and Italian contemporary literatures. He obtained his degree at the University of Naples “Federico II” and his former works are about figurality and myths in Dylan Thomas’ poetry and about the presence of grotesque in Charles Dickens, Ian McEwan and in the “scapigliati piemontesi”. He contributed to the anthologies  Delle coincidenze. Opificio di letteratura reale. Vol. 1 (2012, 2015), Delle attese. Opificio di letteratura reale. Vol. 2 (2015) and to several other essays’ and short stories’ anthologies. He’s e freelance proofreader and author for several magazines and websites of cultural and literary research, such as Nazione Indiana and Satisfiction.   

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Published
2016-11-30
How to Cite
Palomba, A. (2016). For «the love of Man and in praise of God»: onanism and religiosity under the lens of the eroicomic in the young Dylan Thomas. Between, 6(12). https://doi.org/10.13125/2039-6597/2116
Section
With God or Against God, but Never without God. The Laugh in Writing (and Rewriting)