Voci dai margini. La Kanaksprak di Feridun Zaimoglu

  • Tiziana Urbano
Parole chiave: Kanaksprak, dimorare nel post, border text, stereotipo, mimicry, rilessificazione, Letteratura tedesca minore

Abstract

Kanak Sprak, a collection of reportages by the Turkish-German author Feridun Zaimoglu issued in 1995, suggests two considerations: on the one hand on the strategies of empowerment of the stigma “Kanake”, which labels Turkish and other Germans with migration background who have been raised in the Federal Republic; on the other hand on the distortion of the mainstream language as a strategy of decolonization. Hence, this paper focuses on the subversion of the stereotype and the “relexification” of the language.

The stereotype works – as Homi Bhabha claims – like an apparatus, a deployment in which relations of force are formed and operate. By turning the stereotype into an articulation of their difference, Zaimoglu’s Kanaken try to subvert the hegemonic gaze, which contains their fluid identity into a label, and thus to assert their “in-betweeness” as “synthetic products”. Yet, their strategy of empowerment works as a performance of codes of behaviour and of a body language, which turn to absorb the mainstream gaze, failing in the claim for a resistant identity.

Furthermore their corrupted language, which is neither German nor Turkish, but a sort of provocative street slang rich in vernacular terms, works as a “relexification”, as Chantal Zabus calls the attempt to corrupt an European language with elements from another cultural substrate. Yet, Zaimoglu’s rendering of it sounds like a mockery of this slang, as the hegemonic German culture usually encodes it.

So, the fluid border crossing of Kanak interstitial identity in the end crystallizes in a mimicry, in which both codes of behaviour and language structures become a metonymic representation of difference.

Downloads

I dati di download non sono ancora disponibili

Biografia autore

Tiziana Urbano
Nata nel 1983 a Bari. Dottoranda in Studi culturali. Rappresentazioni e performance presso l’Università degli Studi di Palermo, svolge una ricerca sulle declinazioni del regime satirico ed estetico nel Kabarett satirico-politico della Berlino divisa. I suoi campi di interesse sono: letteratura tedesca, storia della cultura, studi sulla performance, antropologia della percezione, riconoscimento e border studies, biopolitica e spatial turn. Attualmente svolge le sue ricerche a Berlino e presso il Kabarettarchiv di Mainz. Tra le sue pubblicazioni: “Un Orfeo nella Repubblica Democratica Tedesca”, culturalstudies.it, (2008): 89-99; “Orfeo nella Chausseestrasse. Un’analisi di Wolf Biermann cant(aut)ore”, Annali della Facoltà di Lingue e Letterature Stranier”, III serie, 19 (2008): 325-348. In corso di pubblicazione: “SENTIRE la musica. La percezione come rappresentazione nell’arte plastica di Émile Jaques-Dalcroze”, 22. pp.; “Biopolitik und Stadtgestaltung in der DDR von Brigitte Reimann”, 17 pp.
Pubblicato
2011-05-23
Come citare
Urbano, T. (2011). Voci dai margini. La <i>Kanaksprak</i&gt; di Feridun Zaimoglu. Between, 1(1). https://doi.org/10.13125/2039-6597/130
Sezione
Geocritica, geopolitica: lo sguardo dell'altro