Editorial

  • Alice Guerrieri
  • Maria Sanz Taus
DOI: https://doi.org/10.13125/CH/7212

Abstract

Des de los inicios del pensamiento filosófico hasta la actualidad, investigadores han abordado la metáfora desde distintas perspectivas teóricas, entre ellas la retórica, la lingüística, la ciencia cognitiva, la estética y la fenomenología hermenéutica. Esto ha consolidado la metáfora como una característica del lenguaje por excelencia: una intérprete vibrante que ha formado parte del curso de la historia manteniendo, al mismo tiempo, su ‘juventud’...

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References

Berggren, D. (1962). The Use and Abuse of Metaphor, I. The Review of Metaphysics, 16(2): 237–258.
Guerrieri, A. (2025). Metafore artistiche. Come si vedono e cosa rac-contano. Milano: Meltemi editore.
Ricœur, P. (1978). The Metaphorical Process as Cognition, Imagina-tion, and Feeling. Critical Inquiry, 5(1): 143-159.
Stanford, W. B. (1936). Greek Metaphor Studies in Theory and Prac-tice. Oxford: B. Blackwell.
Published
2026-09-13
How to Cite
Guerrieri, A., & Sanz Taus, M. (2026). Editorial. Critical Hermeneutics, 10(1), XIII-XVII. https://doi.org/10.13125/CH/7212
Issue
Vol 10 No 1 (2026): The Identity of Metaphors in Art: Interpretative Challenges
Section
Articles
Copyright (c) 2026 Alice Guerrieri, Maria Sanz Taus

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