Editors’ Introduction

  • Alice Guerrieri
  • Maria Sanz Taus
DOI: https://doi.org/10.13125/CH/7209

Abstract

Since the beginning of philosophical thought to the present day, scholars have engaged in discourse on metaphor from multiple theoretical standpoints, encompassing rhetoric, linguistics, cognitive science, aesthetics, and hermeneutic phenomenology. This has led to its establishment as a quintessential feature of language — a vibrant interpreter that has traversed the course of history while retaining its ‘youth’...

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References

Berggren, D. (1962). The Use and Abuse of Metaphor, I. The Review of Metaphysics, 16(2): 237–258.
Guerrieri, A. (2025). Metafore artistiche. Come si vedono e cosa rac-contano. Milano: Meltemi editore.
Ricœur, P. (1978). The Metaphorical Process as Cognition, Imagina-tion, and Feeling. Critical Inquiry, 5(1): 143-159.
Stanford, W. B. (1936). Greek Metaphor Studies in Theory and Prac-tice. Oxford: B. Blackwell.
Published
2026-09-13
How to Cite
Guerrieri, A., & Sanz Taus, M. (2026). Editors’ Introduction. Critical Hermeneutics, 10(1), I-V. https://doi.org/10.13125/CH/7209
Issue
Vol 10 No 1 (2026): The Identity of Metaphors in Art: Interpretative Challenges
Section
Articles
Copyright (c) 2026 Alice Guerrieri, Maria Sanz Taus

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