Nature and Culture in Thomas Hardy's Tess of the d'Urbervilles

  • Elisabeth Rallo-Ditche University of Provence
Keywords: Hardy, Novel, Nature, Culture, Naturalism

Abstract

In the 19th century, Th.Hardy’s novels offer us a surprising and remarkable example of a reflection on the relationship between Nature and Culture : he undertakes to depict a rural society – in the process of disappearing – which experiences this relationship in a mode other than that of « Naturalism » (in the sense that Philippe Descola attributes to this word, to designate our western way of considering the world) which was nascent in his time. Before the anthropology of today, Th. Hardy shows precisely a different way of apprehending the world among « hodges », in a region of England in the middle of the19th century. He reveals to the reader another way of considering the relationship whith non-human beings, which is just as worthy and interesting as that of the « naturalists » of his day. The individuals he describes are aware of an inner life and of the experience of their body situated in space but they also have the possibility of understanding the link they have with the non-human beings which surround them. Tess, the main character of the novel Tess of the d’Urbervilles, is one of these individuals, she lives in harmony with Nature and shows another kind of relationship with the plant and animal world. Her social exclusion will therefore be attributable not only to the ethics of society in her time, but also to a new conception of Nature : she cannot live in this world which is becoming one of triumphant Naturalism.

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Author Biography

Elisabeth Rallo-Ditche, University of Provence

Elisabeth Rallo-Ditche is Emeritus Professor of Comparative Literature at the University of Provence. She has specialised in the relationship between literature and music and the study of great figures of the European imagination.

Her publications in this field include: La Femme à Venise au temps de Casanova (published by Stock, 1984), L'adolescent dans le récit au XXe siècle (Corti, 1989), Carmen (Autrement, 1997), Arlequin et Figaro (Ellipses, 1998), Dictionnaire des passions littéraires (co-edited with J Fontanille and P Lombardo, Belin, 2006), Le Misanthrope dans l’imaginaire européen (Desjonquères, 2007), and Littérature et Sciences humaines (Petite bibliothèque de Sciences Humaines, 2010). In the latter, Rallo-Ditche examines certain substantial questions raised by literature which have been taken hold of by the field of human sciences through the twentieth century, and include the links between nature and culture, power and identity. Her current research is following this direction, particularly into the realm of emotions and the representation thereof, in both literature and opera.

References

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Bloom, Paul, Descartes’ Baby. How the Science of Child Development Explains What Makes us Human, New York, Basic Books, 2004.

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Descola, Philippe, Par-delà Nature et Culture, Paris, Gallimard, 2005.

Garcès, Jean-Pierre, Le Wessex dans l’œuvre de Thomas Hardy, thèse de l’Université Paul Valéry, 1993.

Hardy, Thomas, Tess d'Urberville, Paris, Le Livre de Poche, 1974.

Hardy, Thomas, Tess of the D’Urbervilles, London, Penguin Classics, 1999.

Prum, Michel, “Gillian Beer, Darwin’s Plots. Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction”, Revue d'histoire du XIXe siècle, 26-27 (2003), http://rh19.revues.org/index784.html online.

Verdier, Yvonne, Coutume et destin. Thomas Hardy et autres essais, Paris, NRF Gallimard, 1995

Published
2011-05-05
How to Cite
Rallo-Ditche, E. (2011). Nature and Culture in Thomas Hardy’s <i>Tess of the d’Urbervilles</i&gt;. Between, 1(1). https://doi.org/10.13125/2039-6597/92
Section
Cartographies of Comparative Studies