Nature et culture dans Tess d’Urberville de Thomas Hardy

  • Elisabeth Rallo-Ditche Université de Provence
Parole chiave: Hardy, Novel, Nature, Culture, Naturalism

Abstract

In the 19th century, Th.Hardy’s novels offer us a surprising and remarkable example of a reflection on the relationship between Nature and Culture : he undertakes to depict a rural society – in the process of disappearing – which experiences this relationship in a mode other than that of « Naturalism » (in the sense that Philippe Descola attributes to this word, to designate our western way of considering the world) which was nascent in his time. Before the anthropology of today, Th. Hardy shows precisely a different way of apprehending the world among « hodges », in a region of England in the middle of the19th century. He reveals to the reader another way of considering the relationship whith non-human beings, which is just as worthy and interesting as that of the « naturalists » of his day. The individuals he describes are aware of an inner life and of the experience of their body situated in space but they also have the possibility of understanding the link they have with the non-human beings which surround them. Tess, the main character of the novel Tess of the d’Urbervilles, is one of these individuals, she lives in harmony with Nature and shows another kind of relationship with the plant and animal world. Her social exclusion will therefore be attributable not only to the ethics of society in her time, but also to a new conception of Nature : she cannot live in this world which is becoming one of triumphant Naturalism.

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Biografia autore

Elisabeth Rallo-Ditche, Université de Provence

Elisabeth Rallo-Ditche est professeur émérite de Littérature Comparée de l’Université de Provence. Elle est spécialiste des relations entre Littérature et Musique et de l’étude des grandes figures de l’imaginaire européen. Dans ce domaine, elle a publié La Femme à Venise au temps de Casanova. (Stock, 1984), L'adolescent dans le récit au XX° siècle (Corti,1989), Carmen (Autrement,1997) Arlequin et Figaro (direction et participation) (Ellipses,1998) un Dictionnaire des passions littéraires (direction, collaboration avec J.Fontanille et P.Lombardo) (Belin, 2006), Le Misanthrope dans l’imaginaire européen (Desjonquères, 2007) et en 2010 Littérature et Sciences humaines (Petite bibliothèque de Sciences Humaines) où elle interroge quelques grandes questions que pose la Littérature, dont se sont emparées les Sciences humaines au  XX° siècle, entre autres les rapports de la Nature et de la Culture, le pouvoir, l’identité. Elle poursuit aujourd’hui ses recherches en ce sens, en particulier dans le domaine des émotions et de leur représentation, tant dans la Littérature que dans l’Opéra.       

Riferimenti bibliografici

Beer, Gillian, Darwin’s Plots. Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction, Cambridge, Cambridge University Press, 2000.

Bloom, Paul, Descartes’ Baby. How the Science of Child Development Explains What Makes us Human, New York, Basic Books, 2004.

Descola, Philippe, “Par-delà la nature et la culture”, Le Débat, 114 (Mars-Avril 2001).

Descola, Philippe, Par-delà Nature et Culture, Paris, Gallimard, 2005.

Garcès, Jean-Pierre, Le Wessex dans l’œuvre de Thomas Hardy, thèse de l’Université Paul Valéry, 1993.

Hardy, Thomas, Tess d'Urberville, Paris, Le Livre de Poche, 1974.

Hardy, Thomas, Tess of the D’Urbervilles, London, Penguin Classics, 1999.

Prum, Michel, “Gillian Beer, Darwin’s Plots. Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction”, Revue d'histoire du XIXe siècle, 26-27 (2003), http://rh19.revues.org/index784.html online.

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Pubblicato
2011-05-05
Come citare
Rallo-Ditche, E. (2011). Nature et culture dans <i>Tess d’Urberville</i&gt; de Thomas Hardy. Between, 1(1). https://doi.org/10.13125/2039-6597/92
Sezione
Cartografie della comparatistica