Hope Deferred: Post-Apocalyptic Fiction as Anti-Utopia
Abstract
This paper explores contemporary post-apocalyptic narratives as cultural metaphors reflecting anxieties about societal collapse, environmental crisis, and the future. It argues these narratives often function as anti-utopias, depicting inevitable catastrophe and fostering fatalism rather than radical alternatives. Using a materialist and sociological approach, the study examines the epistemic role of post-apocalyptic literature, analyzing how these works bridge literary form and socio-political context. Case studies from Italian and international novels reveal a pattern grounded in realism and extra-literary references, warning of ecological and technological dangers but seldom imagining paths to transformation. This tension underscores a cultural crisis of imagination, where the apocalypse is both metaphor and reality, challenging hopeful futures in literature and society. Yet, feminist utopias present alternative visions, imagining new societies beyond collapse and inspiring change.
Downloads
References
Antonello, Pierpaolo. “Post-umano, troppo post-umano Sirene di Laura Pugno”, in Narrativa 43, (2021): 115-171. https://doi.org/10.4000/narrativa.438
Arpaia, Bruno, Qualcosa là fuori, Milano, Guanda, 2016.
Atwood, Margaret, Oryx and Crake, Toronto, McClelland & Stewart, 2003.
Bedford, Anna, “Survival in the Post-Apocalypse Ecofeminism in MaddAddam”, Margaret Atwood’s Apocalypses, Cambridge, Cambridge Scholars Publishing, 2014: 71-92.
Berlant, Lauren, Cruel Optimism. Durham NC, Duke University Press, 2011.
Bould, Mark, “Dulltopia: On the Dystopian Impulses of Slow Cinema”, Boston Review (2018). https://www.bostonreview.net/articles/mark-bould-dulltopia/ (last accessed 11/05/2025)
Bourdieu, Pierre, Les règles de l’art Genèse et structure du champ littéraire, Paris, Seuil, 1992.
Braidotti, Rosi, The Posthuman, Cambridge, Polity, 2013
Buell, Lawrence, The Environmental Imagination Thoreau Nature Writing and the Formation of American Culture, Cambridge MA, Harvard University Press, 1995.
DeLoughrey, Elizabeth M., Allegories of the Anthropocene, Durham NC, Duke University Press, 2019.
Duve, Karen, Macht, Berlin, Berlin Verlag, 2016.
Felski, Rita, The Limits of Critique, Chicago, University of Chicago Press, 2015.
Fisher, Mark, Capitalist Realism Is There No Alternative?, Winchester, Zero Books, 2009.
Friederici, Peter, Beyond Climate Breakdown Envisioning New Stories of Radical Hope, Cambridge MA, MIT Press, 2022.
Gaard, Greta, Ecofeminism. Women Animals Nature, Philadelphia, Temple University Press, 1993.
Ghosh, Amitav, The Great Derangement: Climate Change and the Unthinkable, London, Penguin, 2016.
Haraway, Donna J., Staying with the Trouble: Making Kin in the Chthulucene, Durham NC, Duke University Press, 2016.
Heise, Ursula K., “What’s the Matter with Dystopia”, Public Books, 2 (2015) https://www.publicbooks.org/whats-the-matter-with-dystopia/ (last accessed 11/05/2025)
Jameson, Fredric, Archaeologies of the Future. The Desire Called Utopia and Other Science Fictions, London, Verso, 2005.
Keller, Catherine, Apocalypse Now and Then. A Feminist Guide to the End of the World, Boston, Beacon Press, 1996.
Klein, Naomi – Astra, Taylor, “The rise of end times fascism”, The Guardian (2025). https://www.theguardian.com/us-news/ng-interactive/2025/apr/13/end-times-fascism-far-right-trump-musk (last accessed 11/05/2025)
Latour, Bruno, “Anthropology at the Time of the Anthropocene. A personal View of what is to be Studied”, The Anthropology of Sustanaibility, in Ed. Marc Brightman & Jerome Lewis, London, Palgrave, 2017: 35-49.
Le Guin, Ursula K., The Left Hand of Darkness, New York, Ace Books, 1969.
Le Guin, Ursula K., “A Non-Euclidean View of California as a Cold Place to Be”, The Yale Review (1983). https://yalereview.org/article/ursula-le-guin-non-euclidean-view (last accessed 11/05/2025)
Micali, Simona, “I bambini dell’apocalisse. Racconti della fine e di nuovi inizi nella fantascienza italiana degli anni Duemila”, Narrativa, 43, (2021): 97-109. https://doi.org/10.4000/narrativa.430
Mukherjee, Sreya, “‘Survival Is Insufficient’: A Critical Exploration of Optimism and Nostalgia in the Postapocalyptic World of ‘Station Eleven’”, Brolly 5 (2024): 219-237.
Mussgnug, Florian, “Naturalizing apocalypse: Last men and other animals”, Comparative Critical Studies, 9.3 (2012): 333-347. https://doi.org/10.3366/ccs.2012.0067
Plumwood, Val, Feminism and the Mastery of Nature, New York, Routledge, 1993.
Pugno, Laura, Sirene, Venezia, Marsilio, 2007.
Sapiro, Gisèle, Sociologie de la littérature, Paris, La Découverte, 2014.
Sargisson, Lucy, “Definitions, Debates and Conflicts Utopianism Anti-utopianism and Anti-Anti-Utopianism”, Fool’s Gold? London, Palgrave Macmillan, 2012: 6-40. https://doi.org/10.1057/9781137031075_2
St. John Mandel, Emily, Station Eleven. Toronto, HarperCollins, 2014.
Smith, Carien, “Climate Change and Culture: Apocalypse and Catharsis”, Ethics and the Environment, 26 (2022): 1-27. https://doi.org/10.2979/ethicsenviro.27.2.01
Wånggren, Lena, “Feminist Utopias in the Early Twentieth Century”, Women’s Writing, 31.2 (2024): 314-331. https://doi.org/10.1080/09699082.2024.2325826
Warren, Karen J., Ecofeminist Philosophy: A Western Perspective on What It Is and Why It Matters, Lanham MD, Rowman & Littlefield Publishers, 2000.
Žižek, Slavoj, “On 9/11, New Yorkers faced the fire in the minds of men”, The Guardian (2006), https://www.theguardian.com/commentisfree/2006/sep/11/comment.september11 (last accessed 11/05/2025).
Žižek!, Dir. Astra Taylor, United States, Canada, 2005.
Copyright (c) 2025 Rachele Cinerari

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Notice
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).






