Multiverse Fiction: A narratological approach to infinite worlds narratives
Abstract
In recent years, movies and tv shows have increasingly adopted the notion and the structure of the multiverse from superhero comics, resulting in a great popularity of the concept across a wider audience. The article aims to define the basic features of contemporary multiverse narratives, and to explore some of their textual applications. The first part will deal with the narratological theory of parallel worlds in fiction, following Marie-Laure Ryan’s and Karin Kukkonen’s analyses, to outline five key features shared by each multiverse narrative. The second part will be devoted to three significant case studies, that show three different applications of the multiverse as a textual device: Everything Everywhere All at Once as an example of intertextual narrative; Spider-Man: Into the Spider-Verse, that relies on a cultural dominant; and the Marvel Cinematic Universe as a transmedial storyworld expanded through the characteristics of the multiverse.
Downloads
References
Boillat, Alain, Cinema as a Worldbuilding Machine in the Digital Era. Essay on Multiverse Films and TV Series, Bloomington, Indiana University Press, 2022.
Bordwell, David, “Films Future”, SubStance, 37.1 (2002): 88-104. https://doi.org/10.1353/sub.2002.0004
Brembilla, Paola - Pescatore, Guglielmo, “Adattamento, rimediazione, transmedia storytelling e poi? Il caso degli universi Marvel e DC Comics al cinema e in televisione”, Bande à Part. Graphic novel, fumetto e letteratura, Eds. Sara Colaone - Lucia Quaquarelli, Milano, Morellini, 2016: 129‑139.
Brinker, Felix, “Transmedia Storytelling in the ‘Marvel Cinematic Universe’ and the Logics of Convergence-Era Popular Seriality”, Make Ours Marvel: Media Convergence and a Comics Universe, Ed. Matt Yockey, Austin, Texas University Press, 2017. https://doi.org/10.7560/312490-009
Burt, Stephanie, “Is the Multiverse Where Originality Goes to Die?”, The New Yorker, 31.10.2022, https://www.newyorker.com/magazine/2022/11/07/is-the-multiverse-where-originality-goes-to-die, (last access 03/05/2023).
Dannenberg, Hilary P., Coincidence and Counterfactuality. Plotting Time and Space in Narrative Fiction, Lincoln and London, University of Nebraska Press, 2008. https://doi.org/10.2307/j.ctt1dgn486
Herman, David, Basic Elements of Narrative, Malden, Wiley-Blackwell, 2009.
Kukkonen, Karin, “Navigating Infinite Earths: Readers, Mental Models, and the Multiverse of Superhero Comics”, Storyworlds: A Journal of Narrative Studies, 2 (2010): 39-58. https://doi.org/10.1353/stw.0.0009
Kukkonen, Karin, Contemporary Comics Storytelling, Lincoln and London, University of Nebraska Press, 2013.
Lee, Chris, “Daniels Unpack the Everything Bagel of Influences Behind Everything Everywhere All at Once”, Vulture, 13.04.2022, https://www.vulture.com/2022/04/everything-everywhere-all-at-onces-influences-explained.html, (last access 26/04/2023).
Micali, Simona, “Sogni, illusioni, realtà virtuali: i mondi possibili della science fiction”, Between, 9.18 (2019). https://doi.org/10.13125/2039-6597/3802
Mieth, Dominik, “Many Spider-Men are better than one: Referencing as a narrative strategy”, Comics and Videogames: From Hybrid Medialities to Transmedia Expansion, Eds. Andrea Rauscher - Daniel Stein - Jan-Noël Thon, New York, Routledge, 2021: 129-148. https://doi.org/10.4324/9781003035466-11
Pearson, Roberta, “‘You’re Sherlock Holmes, Wear the Damn Hat!’: Character Identity in a Transfiction”, Reading Contemporary Serial Television Universes: A Narrative Ecosystem Framework, Eds. Paola Brembilla - Ilaria A. De Pascalis, New York, Routledge, 2018: 144‑166. https://doi.org/10.4324/9781315114668-10
Proctor, William, “Schrödinger’s Cape: The Quantum Seriality of the Marvel Multiverse”, Make Ours Marvel: Media Convergence and a Comics Universe, Ed. Matt Yockey, Austin, Texas University Press, 2017.
Ronen, Ruth, Possible Worlds in Literary Theory, Cambridge, Cambridge University Press, 1994.
Ryan, Marie-Laure, Possible Worlds, Artificial Intelligence and Narrative Theory, Bloomington and Indianapolis, Indiana University Press, 1991.
Ryan, Marie-Laure, “From Parallel Universes to Possible Worlds: Ontological Pluralism in Physics, Narratology, and Narrative”, Poetics Today, 27.4 (2006): 633-674. https://doi.org/10.1215/03335372-2006-006
Ryan, Marie-Laure, “Transmedial Storytelling and Transfictionality”, Poetics Today, 34.3 (2013): 361-388. https://doi.org/10.1215/03335372-2325250
Ryan, Marie-Laure, “Story/Worlds/Media: Tuning the Instruments of a Media-Conscious Narratology”, Storyworlds Across Media: Toward a Media-Conscious Narratology, Eds. Marie-Laure Ryan – Jan-Noël Thon, Lincoln and London, University of Nebraska Press, 2014: 25-49. https://doi.org/10.2307/j.ctt1d9nkdg.6
Ryan, Marie-Laure, “From Possible Worlds to Storyworlds: On the Worldness of Narrative Representation”, Possible Worlds Theory and Contemporary Narratology, Eds. Alice Bell – Marie-Laure Ryan, Lincoln and London, University of Nebraska Press, 2019: 62-87. https://doi.org/10.2307/j.ctv8xng0c.7
Sternberg, Meir, Expositional Modes and Temporal Ordering in Fiction, Baltimore, Johns Hopkins University Press, 1978.
Tegmark, Max, “Parallel Universes”, Scientific American, 288.5 (2003): 40-51. https://doi.org/10.1038/scientificamerican0503-40
Thon, Jan-Noël, “Converging Worlds: From Transmedial Storyworlds to Transmedial Universes”, Storyworlds: A Journal of Narrative Studies, 7.2 (2015): 21-53. https://doi.org/10.5250/storyworlds.7.2.0021
Thon, Jan-Noël, Transmedial Narratology and Contemporary Media Culture, Lincoln and London, University of Nebraska Press, 2016.
Thon, Jan-Noël - Pearson, Robert, “Transmedia Characters”, Narrative, 30.2 (2022): 139-151. https://doi.org/10.1353/nar.2022.0007
Walton, Kendall L., Mimesis as Make-Believe: On the Foundations of the Representational Arts, Cambridge, Harvard University Press, 1990.
Wolf, Mark J. P., Building Imaginary Worlds. The Theory and History of Subcreation, New York and London, Routledge, 2012.
Wyndham, John, “Random Quest” (1961), Consider Her Ways and Others, Harmondsworth, Penguin, 1965: 131-173.
Filmography
Ant-Man and the Wasp: Quantumania, dir. Peyton Reed, USA, 2023.
Back to the Future, dir. Robert Zemeckis, USA, 1985.
Cloud Atlas, dir. The Wachowski Sisters and Tom Tykwer, Germany-UK-USA, 2012.
Coherence, dir. James Ward Byrkit, USA, 2013.
Doctor Strange in the Multiverse of Madness, dir. Sam Raimi, USA, 2022.
Everything Everywhere All at Once, dir. Daniel Kwan and Daniel Scheinert, USA, 2022.
Loki, created by Michael Waldron, Disney+, USA, 2021-2023.
Ratatouille, dir. Bran Bird and Jan Pinkava, USA, 2007.
Rick and Morty, created by Justin Roiland and Dan Harmon, Adult Swim, USA, 2013-present.
Rubber, dir. Quentin Dupieux, France, 2010.
Spider-Man, dir. Sam Raimi, USA, 2002.
Spider-Man 2, dir. Sam Raimi, USA, 2004.
Spider-Man 3, dir. Sam Raimi, USA, 2007.
Spider-Man: Across the Spider-Verse, dir. Joaquim Dos Santos, Kemp Powers, Justin K. Thompson, USA, 2023.
Spider-Man: Into the Spider-Verse, dir. Bob Persichetti, Peter Ramsey, Rodney Rothman, USA, 2018.
Spider-Man: No Way Home, dir. Jon Watts, USA, 2021.
The Amazing Spider-Man, dir. Marc Webb, USA, 2012.
The Amazing Spider-Man 2, dir. Marc Webb, USA, 2014.
The Avenges, dir. Joss Whedon, USA, 2012.
The Incredible Hulk, dir. Louis Leterrier, USA, 2008.
The Matrix, dir. The Wachowski Brothers, USA, 1999.
What If…?, created by A. C. Bradley, Disney+, USA, 2021-present.
Copyright Notice
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).