Editorial policy and cultural dissent. Two series examples in Einaudi and Feltrinelli between 1964 and 1968
Abstract
The beginning of the sixties represents for Italian editors the attempt to understand the long wave of cultural dissent that express many European writers almost since the Hungarian revolution. Einaudi and Feltrinelli, following the example of Seuil with the “Tel Quel” collection, creates tho new experimental series: “La ricerca letteraria” and “Materiali”. In my contribution I will try to underline the cultural role of Einaudi and Feltrinelli and their series between ’64 and ’68: Einaudi proposes the translations of nouveau roman authors among others while Feltrinelli leads the discussion about experimentalism and neo-avantgarde. Few years that add to change Italian cultural panorama and prepared the ’68 protests.
Downloads
References
Arbasino, Alberto, Certi romanzi, Milano, Feltrinelli, 1964.
Id., Grazie per le magnifiche rose, Milano, Feltrinelli, 1965.
Id., La maleducazione teatrale, Milano, Feltrinelli, 1966.
Id., Off-Off, Milano, Feltrinelli, 1968.
Id., Sessanta posizioni, Milano, Feltrinelli, 1971.
Barilli, Renato, L’azione e l’estasi, Milano, Feltrinelli, 1967.
Balestrini, Nanni (ed.), Gruppo 63. Il romanzo sperimentale, Palermo 1965, Milano, Feltrinelli, 1966.
Cesana, Roberta, “Libri necessari”. Le edizioni letterarie Feltrinelli (1955-19565), Milano, Unicopli, 2010.
Curi, Fausto, Ordine e disordine, Milano, Feltrinelli, 1965.
Feltrinelli, Inge, Testimonianza, in, Barilli, Renato, Curi, Fausto, Lorenzini, Niva (ed.), Il Gruppo 63 quarant’anni dopo, Bologna, Pendragon, 2005.
Foucault, Michel, “Distance, aspect, origine”, Critique, 198, (1963), ora in, Id., Dits et écrits I. 1954-1975, Paris, Gallimard, 2001.
Id., “Débat sur le roman”, Tel Quel n.17, (1964), ora in, Id., Dits et écrits I. 1954-1975, Paris, Gallimard, 2001.
Id., “Le langage de l’espace”, Critique 203, (1964), ora in, Id., Dits et écrits I. 1954-1975, Paris, Gallimard, 2001.
Fuchs, Marino, “Enrico Filippini, l’industria culturale e il rinnovamento delle coscienze”, Enrico Filippini a trent’anni dalla morte, ed. Massimo Danzi e Marino Fuchs, Milano, Mimesis, 2019.
Galazzi Matasci Enrica, “La Francia di Enrico Filippini”, Enrico Filippini a trent’anni dalla morte, ed. Massimo Danzi e marino Fuchs, Milano, Mimesis, 2019.
Goldmann, Lucien, Pour une sociologie du roman, Paris, Gallimard, 1963.
Guglielmi, Angelo, Avanguardia e sperimentalismo, Milano, Feltrinelli, 1964.
Guglielmi, Angelo, Vero e falso, Milano, Feltrinelli, 1968.
Le Clézio, Jean-Marie-Gustave, Le Procès-verbal, Paris, Gallimard, 1963, tr. it. Il Verbale, Torino, Einaudi, 1965.
Macdonald, Dwight, Contramerica, Milano, Rizzoli, 1969.
Ollier, Claude, Le maintien de l’ordre, Paris, Gallimard, 1961, tr. it. in Id., Estate indiana, Torino, Einaudi, 1967.
Ollier, Claude, Été indien, Paris, Minuit, 1963, tr. it. Estate indiana, Torino Einaudi, 1967.
Risset, Jacqueline, Il silenzio delle sirene, Roma, Donzelli, 2006.
Robbe-Grillet, Pour un nouveau roman, Paris, Minuit, 1963.
Sanguineti, Edoardo, Ideologia e linguaggio, Milano, Feltrinelli, 1965.
Simon, Claude, Le Palace, Paris, Minuit, 1962, tr. it. Il Palace, Torino, Einaudi, 1965.
Sisto, Michele, “Mutamenti nel campo letterario italiano 1956-1968: Feltrinelli, Einaudi e la letteratura tedesca contemporanea”, Allegoria, 55, XIX, 2007.
Sollers, Philippe, Drame, Paris, Seuil, 1965, tr. it. Dramma, Torino, Einaudi, 1972.
Thibaudeau, Jean, Ouverture, Paris, Seuil, 1966, tr. it. Ouverture, Torino, Einaudi, 1969.
Copyright Notice
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
