A memory that imagines: the fusion of memory and imagination in Jorge Semprún's literary testimonies
Abstract
The present work deals with the genre of literary testimony and explores its double literary-historical status, as well as its unique position at the crossroads between memory and imagination. The paper analyses the specificity of Jorge Semprún’s literary testimonies and focuses itself on the phenomenon of the imaginary memories and the image of snow, considering emblematic examples of the fusion of mnemonic and imaginary faculties.
Downloads
References
Agamben, Giorgio, Quel che resta di Auschwitz. L'archivio e il testimone,
Torino, Bollati Boringhieri, 1998.
Bachelard, Gaston, L'Air et les Songes, Paris, éd. José Corti,
Blanchot, Maurice, L’espace littéraire (1955), Gallimard, 2012.
Char, René, La Parole en archipel, Paris, Gallimard, 1962.
Friedlander, Saul (ed.), Probing the Limits of Representation,
Cambridge; London, Harvard University Press, 1992.
Levi, Primo, I sommersi e i salvati (1986), fr. tr.Les naufragés et les rescapés. Quarante ans après Auschwitz, Paris, Gallimard, 1989.
Ricœur, Paul, La mémoire, l’histoire, l’oubli, Paris, Seuil, 2000.
Semprún, Jorge, L’Évanouissement, Paris, Gallimard, 1967.
Semprún, Jorge, Quel beau dimanche, Paris, Gallimard, 1980.
Semprún, Jorge, L’Écriture ou la vie, Paris, Gallimard, 1994.
Semprún, Jorge,Le langage est ma patrie. Entretiens avec Franck Appréderis, Paris, Libella, 2013.
Wieviorka, Annette, L’Ère du témoin, Paris, Plon, 1998.
Copyright Notice
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).