The Tragic Before the Tragic

  • Enrica Zanin Université de Strasbourg
Keywords: Early Modern Tragedy, Poetics, Tragic Ending,

Abstract

It is generally assumed that the tragic becomes a philosophical theory at the end of the eighteenth century, when Schelling and Hegel consider a genre (the tragedy) and draw from it a philosophical thought (the tragic). Before then, writes Szondi, there was no theory of the tragic, but only a poetics of the tragedy. I do not wish to criticize this assumption but rather to show that, before the philosophy of the tragic, there was an idea of the tragic (though fragmented and non systematic) that influenced and prepared its theory. In this paper, I will study its origins and its development through the analysis of the early modern uses of the words tragedy and tragic.

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Author Biography

Enrica Zanin, Université de Strasbourg

Enrica Zanin is senior lecturer (maître de conférences) of comparative literature at the University of Strasbourg. She attended the École normale supérieure, she was fellow of the Humboldt Foundation and is currently junior member of the Institut Universitaire de France. She taught at the university Paris-Sorbonne and at the university of Göttingen. Her research deals with early modern European tragedies and novellas. She wrote a book on the tragic ending (Fins tragiques, Droz, 2014), a comparative dictionary of early modern European drama (Le Théâtre au miroir des langues, Droz, to be published in 2018), she is preparing a monograph on the ethical issues of early modern novellas. 

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Published
2017-11-30
How to Cite
Zanin, E. (2017). The Tragic Before the Tragic. Between, 7(14). https://doi.org/10.13125/2039-6597/2764
Section
Roots of the Tragic