Il tempo e lo spazio in Chronopolis di J. G. Ballard
Abstract
Time and space are two of the main features in Ballard’s fiction. They are also the main topic in this short story. In Chronopolis the measurement of time is forbidden. When the story’s main character, Newman, discovers the existence of clocks, he decides to defy the law to restore the previous condition. In doing so he moves from the city he used to live in to the old forsaken city. So, he moves both in time and space. He pursues the utopia of liberating time, and man, from the Orwellian prohibition of dealing with linear time. But he fails eventually, being imprisoned for having tried to break free from the State control of time. His crossing of the symbolic border between the new and the old city is a passage from a static, present time to a flowing linear time, not limited to the present. But the old Chronopolis in a sense has become a non-place, while the new one has been deprived of time, thus being characterized by non-time. Since these notions are represented by the terms, respectively, utopia and uchronia, ultimately this means a disappearing of Chronopolis on an imaginary Cartesian graph displaying it.
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Riferimenti bibliografici
Bibliografia
AA.VV., Internazionale situazionista 1958-69 (Raccolta dei numeri della rivista), Torino, Nautilus, 1994a.
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Bachtin, Michail, Estetica e romanzo, Torino, Einaudi, 2001.
Ballard, James Graham, Chronopolis and Other Stories, London, Putnam, 1971.
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Vale, V. - Juno, Andrea (eds.), Re/Search n. 8/9, San Francisco, Re/Search Publications, 1984.
Sitografia
Lockton, Dan, “J.G. Ballard & Architectures of Control”, January 3rd, 2008, www.ballardian.com, web.
McGrath, Rick, “Like Alice in Wonderland: Solveig Nordlund on J.G. Ballard”, August 24th, 2008, www.ballardian.com, web.
Smith, Matt, “The Work of Emotion: Ballard and the Death of Affect, Part IV. Psychic Landscapes, Physical Environments”, www.jgballard.ca, web.
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