Changing Words: Time and Space in Electronic Literature
Abstract
Printed literature and electronic literature, especially hypertexts, bring into play diverse issues of time and space. When approaching them, we should use different critical frameworks, at least in one respect: the analysis of a hypertext cannot forget considerations about time and space in the act of reading – or performing – the text. Hypertexts generate many different possible readings thanks to the changing and shifting links which move in hyperspace. Therefore, if in considering these issues in electronic literature we can obviously apply all the critical categories we use with printed works, here we cannot avoid considering the time and the space that are not “inside” the text but “outside” the text. This essay tries to explain the relationship between these external and internal time-space issues in electronic literature, how they interlink and mutually change, and how the act of reading both modifies and is modified by them. In particular, we will consider the web-based poetry When the Sea Stands Still (1997), by John Cayley and Yang Lian, and Rice (1998), by the artist known as Geniwate, basing the analysis on the studies by Espen Aarseth, Wolfgang Iser, Frank Kermode, Ted Nelson, and Edward Said.
Downloads
References
Aarseth, Espen J., Cybertext: Perspectives on Ergodic Literature, Baltimore - London, The John Hopkins University Press, 1997.
Aarseth, Espen J., “Nonlinearity and Literary Theory”, Hy-per/Text/Theory, Ed. George P. Landow, Baltimore - London, The John Hopkins University Press, 1994: 51-86.
Bolter, Jay David, “Topographic Writing: Hypertext and the Electronic Writing Space”, Hypermedia and Literary Studies, Eds. Paul Delany - George P. Landon, Cambridge, MA, MIT Press, 1991: 105-18.
Borges, Jorge Luis, Labyrinths: Selected Stories and Other Writings, New York, New Directions, 1964.
Brooks, Peter, Reading the Plot: Design and Intention in Narrative, New York, Vintage, 1985.
Cayley, John - Lian, Yang, Where the Sea Stands Still, 1997, http://programmatology.shadoof.net/works/wsss/index.html (ul-timo accesso 27/08/2014).
Delany, Paul – Landow, George P. (eds.), Hypermedia and Literary Studies, Cambridge, MA - London, MIT Press, 1991.
Dickey, William, “Poem Descending a Staircase”, Hypermedia and Liter-ary Studies, Eds. Paul Delany - George P. Landon, Cambridge, MA, MIT Press, 1991: 143-52.
Douglas, Jane Yellowlees, “How do I stop this thing? Closure and In-determinacy in Interactive Narratives”, Hyper/Text/Theory, Ed. George P. Landow, Baltimore - London, The John Hopkins Uni-versity Press, 1994: 159-88.
Finneran, Richard J. (ed.), The Literary Text in the Digital Age, Ann Arbor, The University of Michigan Press, 1996.
Ganutlett, David - Horsley, Ross (eds.), Web Studies, London, Arnold, 2004.
Geniwate, Rice, 1998, http://collection.eliterature.org/1/works/geniwate__rice.html (ul-timo accesso 27/08/2014).
Hayles, N. Katherine, “Electronic Literature: What is it?”, 2007, http://eliterature.org/pad/elp.html (ultimo accesso 27/08/2014).
Ingarden, Roman, The Literary Work of Art: An Investigation on the Bor-derlines of Ontology, Logic, and Theory of Literature, Evanston, North Western University Press, 1973.
Iser, Wolfgang, The Act of Reading: A Theory of Aesthetic Response, Lon-don, Routledge and Kegan Paul, 1978.
Kermode, Frank, The Sense of an Ending: Studies in the Theory of Fiction with a New Epilogue, New York, Oxford University Press, 1968.
Landow, George P., Hypertext: The Convergence of Contemporary Critical Theory and Technology, Baltimore - London, The John Hopkins University Press, 1992.
Landow, George P. (ed.), Hyper/Text/Theory, Baltimore - London, The John Hopkins University Press, 1994.
McGann, Jerome J., The Textual Condition, Princeton, Princeton Univer-sity Press, 1991.
Morris, Pam (ed.), The Bakhtin Reader: Selected Writings of Bakhtin, Med-vedev - Voloshinov - London, Edward Arnold, 1994.
Moulthrop, Stuart, “Reading from the Map: Metonymy and Metaphor in the Fiction of Forking Paths”, Hypermedia and Literary Studies, Eds. Paul Delany - George P. Landow, Cambridge, MA - London, MIT Press, 1991: 119-32.
Nelson, Theodor H., Literary Machines, Swarthmore, PA, Self-published, 1981.
Ricoeur, Paul, Time and Narrative, Chicago - London, The University of Chicago Press, 1988.
Said, Edward W., Beginnings: Intention and Method, New York, Columbia University Press, 1985.
Slatin, John, “Reading Hypertext: Order and Coherence in a New Me-dium”, Hypermedia and Literary Studies, Eds. Paul Delany - George P. Landow, Cambridge, MA - London, MIT Press, 1991: 153-69.
Smith, Barbara Herrnstein, Poetic Closure: A Study of How Poems End, Chicago, University of Chicago Press, 1968.
Copyright Notice
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).