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Issue |
Title |
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Vol 9, No 18 (2019): Fictions. Truth, lies, possible worlds |
Kublai Kan, Possible Worlds and the Medacity of Fiction |
Abstract
PDF (Italiano)
|
Marina Polacco |
|
Vol 9, No 17 (2019): Imagining the Impossible: Crossings of Creativity Between Literature and Science |
Imaginary Cosmographies. Antonio Conti: Science, Poetry and 'Impossibilia' |
Abstract
PDF (Italiano)
|
Vincenzo Allegrini |
|
Vol 7, No 13 (2017): Longing and Belonging - Désir et Appartenance |
Être là ou ne pas être là – esquisse de typologie du spectral dans quelques œuvres littéraires occidentales contemporaines |
Abstract
PDF (Français)
|
Catherine Grall |
|
Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality |
Television and deindividuation of the viewers |
Abstract
PDF (Italiano)
|
Carolina Pernigo |
|
Vol 3, No 5 (2013): Figures of desire. Rhetoric, themes and images |
Feticism and irony of the pornographic ékphrasis in Lichen by Alice Munro |
Abstract
PDF (Italiano)
|
Beatrice Seligardi |
|
Vol 9, No 17 (2019): Imagining the Impossible: Crossings of Creativity Between Literature and Science |
Æstheticising the Impossible: the Strange Case of the Gothic and Science Fiction |
Abstract
PDF
|
Federica Perazzini |
|
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms |
Farewell Messages from the Dying to the Living: Tragic and Obscene Representations of Dying Individuals in Literature and in the Electronic Media |
Abstract
PDF (Italiano)
|
Antonio Scurati |
|
Vol 3, No 6 (2013): Teachings. For the Eightieth Birthday of Remo Ceserani |
Teaching Russian Literature in Italian Universities: Problems and Possible Solutions |
Abstract
PDF (Italiano)
|
Irina Marchesini |
|
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms |
Mediamorphosis of the popular novel: from the Feuilleton to the TV Serial |
Abstract
PDF (Italiano)
|
Emanuela Piga |
|
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours |
"Sexual Inversion" and Logic of Humour in two early 20th century French reviews: «L’Assiette au beurre», «Le Rire» |
Abstract
PDF (Italiano)
|
Giulia Scuro |
|
Vol 7, No 14 (2017): Masks of the Tragic |
Virginia: a Political Subject for the European Tragedy between the Seventeenth and the Eighteenth Century |
Abstract
PDF (Italiano)
|
Enrico Zucchi |
|
Vol 7, No 13 (2017): Longing and Belonging - Désir et Appartenance |
On La scrittura e il mondo |
Abstract
PDF (Italiano)
|
Luca Marangolo |
|
Vol 3, No 6 (2013): Teachings. For the Eightieth Birthday of Remo Ceserani |
Humanism and Comparative Literature |
Abstract
PDF (Italiano)
|
Chiara Lombardi |
|
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative |
Massimo Scotti, Storia degli spettri. Fantasmi, medium e case infestate fra scienza e letteratura |
Abstract
PDF (Italiano)
|
Carolina Pernigo |
|
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms |
Writing “so raw and true”: Blogging in Chimamanda Ngozi Adichie’s Americanah |
Abstract
PDF
|
Serena Guarracino |
|
Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality |
The Reportage as Photography in Writing: The Chinese Reportages of Roland Barthes, Franco Fortini and Goffredo Parise |
Abstract
PDF (Italiano)
|
Ludovica del Castillo |
|
Vol 5, No 9 (2015): Censorship and Self-Censorship |
Censorship Processes and Power Relations in Collaborative Autobiographies |
Abstract
PDF (Italiano)
|
Caterina Romeo |
|
Vol 4, No 7 (2014): The Powers of Rhetoric |
Kyōgoku Natsuhiko, a rhetoric beyond the second degree |
Abstract
PDF
|
Diego Cucinelli |
|
Vol 7, No 14 (2017): Masks of the Tragic |
The Trouble of Innocence: Tragedy, Theory and the Modern Novel |
Abstract
PDF (Italiano)
|
Cristina Savettieri |
|
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Transformation of Space in the Adaptation of La straniera |
Abstract
PDF (Italiano)
|
Mahmoud Jaran |
|
Vol 9, No 18 (2019): Fictions. Truth, lies, possible worlds |
True And/Or False: The Enantiosemic Bourgeois |
Abstract
PDF (Italiano)
|
Attilio Scuderi |
|
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours |
Balzac peint les français: social satire and construction of ideal types in Les français peints par eux-mêmes. |
Abstract
PDF (Italiano)
|
Marilisa Moccia |
|
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours |
The Irriverent Lie. Notes on the Reception of Sterne in the Comic Narrative of the Fascist Period |
Abstract
PDF (Italiano)
|
Leonardo Battisti |
|
Vol 7, No 14 (2017): Masks of the Tragic |
Franco Fortini's Legacy: interviews with Elisa Biagini, Paolo Maccari and Guido Mazzoni |
Abstract
VIDEO (Italiano)
|
Riccardo Donati |
|
Vol 7, No 13 (2017): Longing and Belonging - Désir et Appartenance |
On La scrittura e il mondo |
Abstract
PDF (Italiano)
|
Valentino Baldi |
|
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