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Issue Title
 
Vol 9, No 17 (2019): Imagining the Impossible: Crossings of Creativity Between Literature and Science Translating the Impossible into Image. Funambulism and Science Fiction in the Cinema of Werner Herzog Abstract  PDF (Italiano)
Mirko Lino
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative Antonio Costa, La mela di Cézanne e l’accendino di Hitchcock. Il senso delle cose nei film Abstract  PDF (Italiano)
Beatrice Seligardi
 
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching Transformation of Space in the Adaptation of La straniera Abstract  PDF (Italiano)
Mahmoud Jaran
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative Andrea Corrado – Igor Mariottini, Cinema e autori sulle tracce delle migrazioni Abstract  PDF (Italiano)
Lorenzo Mari
 
Vol 7, No 14 (2017): Masks of the Tragic Each Girl Kill the Thing she Loves. Melodramatic Variations on the Contemporary Scene Abstract  PDF (Italiano)
Stefania Rimini
 
Vol 2, No 3 (2012): Literature before the Law Laws of Contamination and Blend. Don DeLillo and Jean-luc Godard: an Illuminating Challenge Abstract  PDF (Italiano)
Mariangela Bio
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative «Do you (really) believe in evil?». Psycho, televisione seriality and its viewer Abstract  PDF (Italiano)
Mauro Giori
 
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours Italian comics and cinema: forms and functions of pornographic parody Abstract  PDF (Italiano)
Mauro Giori
 
Vol 5, No 9 (2015): Censorship and Self-Censorship Censorship and dubbing in italian cinema in the early sound movies Abstract  PDF (Italiano)
Antonio Catolfi
 
Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality Screens Abstract  PDF (Italiano)
Stefano Tani, Matteo Rima, Francesca Agamennoni
 
Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality In the shadow of the screen: notes on cinema, homoeroticism and literature 1945-1980 Abstract  PDF (Italiano)
Fabio Libasci
 
Vol 7, No 14 (2017): Masks of the Tragic Mildred Pierce: ‘remarriage melodrama’ among novel, cinema and television Abstract  PDF (Italiano)
Simona Busni
 
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching Marginal Spaces of an Eccentric Character: the Adaptation of the Novel Totò il buono Abstract  PDF (Italiano)
Matteo Martelli
 
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours The obscene flatulence of reality - Cinico tv: an ideological analysis Abstract  PDF (Italiano)
Giacomo Tinelli
 
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching ‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations Abstract  PDF (Italiano)
Marida Rizzuti
 
Vol 2, No 3 (2012): Literature before the Law E. Biasin - G. Maina - F. Zecca (eds.), Il porno espanso. Dal cinema ai nuovi media Abstract  PDF (Italiano)
Mirko Lino
 
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching Rereadings, Refigurations and Survival of the Living Dead Abstract  PDF (Italiano)
Mirko Lino
 
Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality Remixology, Live Performance and Software Culture: Remix the Cinema. An Interview with Luca Acito and Alberto Casati Abstract  PDF (Italiano)
Mirko Lino
 
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms Marion Gymnich (ed.), Who’s Afraid of…? Facets of Fear in Anglophone Literature and Film Abstract  PDF (Italiano)
Federica Zullo
 
Vol 5, No 10 (2015): The Political Imaginary: Commitment, Resistance, Ideology Terrorism in Northern Ireland under English eyes: from the conspiracies to the Conspiracy Abstract  PDF (Italiano)
Gino Scatasta
 
Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching Literature and Cinema from "Adaptation" to Re-creation: Coping with the Complexity of Human Recollection Abstract  PDF (Italiano)
Carlo Testa
 
Vol 3, No 5 (2013): Figures of desire. Rhetoric, themes and images Marjane Satrapi’s Poulet aux Prunes: fetish, desire, and illusions Abstract  PDF (Italiano)
Stefania Rimini
 
Vol 9, No 18 (2019): Fictions. Truth, lies, possible worlds “My favourite mask is myself”: Disguise, Amplifications and Estrangements in Orson Welles’s Acting Abstract  PDF (Italiano)
Mariapaola Pierini
 
Vol 1, No 1 (2011): Frontiers, Borders, Limits Meeting Grendel at the Movie. Rewriting Beowulf in Another Place and in Another Time Abstract  PDF (Italiano)
Francesco Giusti
 
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms Producing Films, Producing Meanings: Some Theoretical Reflections Abstract  PDF (Italiano)
Giorgio Grignaffini
 
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