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Issue Title
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative Andrea Corrado – Igor Mariottini, Cinema e autori sulle tracce delle migrazioni Abstract  PDF (Italiano)
Lorenzo Mari
 
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours Italian comics and cinema: forms and functions of pornographic parody Abstract  PDF (Italiano)
Mauro Giori
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative «Do you (really) believe in evil?». Psycho, televisione seriality and its viewer Abstract  PDF (Italiano)
Mauro Giori
 
Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative Antonio Costa, La mela di Cézanne e l’accendino di Hicthcock. Il senso delle cose nei film Abstract  PDF (Italiano)
Beatrice Seligardi
 
Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours The obscene flatulence of reality - Cinico tv: an ideological analysis Abstract  PDF (Italiano)
Giacomo Tinelli
 
Vol 5, No 9 (2015): Censorship and Self-Censorship Censorship and dubbing in italian cinema in the early sound movies Abstract  PDF (Italiano)
Antonio Catolfi
 
Vol 3, No 5 (2013): Figures of desire. Rhetoric, themes and images Marjane Satrapi’s Poulet aux Prunes: fetish, desire, and illusions Abstract  PDF (Italiano)
Stefania Rimini
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice Loosely adapted from… Stories, codes, travels, mediations between literature and cinema Abstract  PDF (Italiano)
Donata Meneghelli
 
Vol 1, No 1 (2011): Frontiers, Borders, Limits Meeting Grendel at the Movie. Rewriting Beowulf in Another Place and in Another Time Abstract  PDF (Italiano)
Francesco Giusti
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice Marginal Spaces of an Eccentric Character: the Adaptation of the Novel Totò il buono Abstract  PDF (Italiano)
Matteo Martelli
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice Transformation of Space in the Adaptaion of La straniera Abstract  PDF (Italiano)
Mahmoud Jaran
 
Vol 2, No 3 (2012): Literature before the Law Laws of contamination and blend. Don DeLillo and Jean-luc Godard: an illuminating challenge Abstract  Senza titolo ()  PDF (Italiano)
Mariangela Bio
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice Literature and Cinema from "Adaptation" to Re-creation: Coping with the Complexity of Human Recollection Abstract  PDF (Italiano)
Carlo Testa
 
Vol 3, No 5 (2013): Figures of desire. Rhetoric, themes and images Gazes and Bodies in the Pornographies of Desire Abstract  PDF (Italiano)
Mirko Lino
 
Vol 5, No 10 (2015): The Political Imaginary: Commitment, Resistance, Ideology Terrorism in Northern Ireland under English eyes: from the conspiracies to the Conspiracy Abstract  PDF (Italiano)
Gino Scatasta
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice ‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations Abstract  PDF (Italiano)
Marida Rizzuti
 
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms Marion Gymnich (ed.), Who’s Afraid of…? Facets of Fear in Anglophone Literature and Film Abstract  PDF (Italiano)
Federica Zullo
 
Vol 2, No 4 (2012): L’adattamento: le trasformazioni delle storie nei passaggi di codice Riletture, rifigurazioni e sopravvivenza del living dead. Dal cinema alle narrazioni crossmediali Abstract  PDF (Italiano)
Mirko Lino
 
Vol 5, No 9 (2015): Censorship and Self-Censorship Double Dream. Audiovisual Pornography Exploit through the Fantasy Abstract  PDF (Italiano)
Enrico Biasin
 
Vol 4, No 8 (2014): Technology, Imagination, Narrative Forms Jane Austen: Between Brand and Desire Abstract  PDF (Italiano)
Donata Meneghelli
 
Vol 5, No 9 (2015): Censorship and Self-Censorship Censoring and Selling Film Noir Abstract  PDF
Sheri Chinen Biesen
 
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