| Issue | Title | |
| Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours | Parodying Lolita. Irony and its roles in the adaptations of Vladimir Nabokov’s masterpiece | Abstract PDF (Italiano) |
| Andrea Chiurato | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Poetics of the Sublime. The Coro di morti, from Operette morali to Goffredo Petrassi | Abstract PDF (Italiano) |
| Giovanni Vito Distefano | ||
| Vol 8, No 15 (2018): Spaced Out. Spatiality in Comics | 'A king of infinite space’: Shakespearean Spaces in Theatre and Comics | Abstract PDF |
| Eleonora Fois | ||
| Vol 8, No 16 (2018): Screens. Representations, Images, Transmediality | Metalepsis and Intermediality. Into the Screen, Beyond the Adaptation in Lost in Austen | Abstract PDF (Italiano) |
| Donata Meneghelli | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Tale of Tales Between Text and Image. An Introduction | Abstract PDF (Italiano) |
| Niccolò Scaffai | ||
| Vol 9, No 18 (2019): Fictions. Truth, lies, possible worlds | The Other Side. Alternative Realities, Virtuality and Fiction in the Work of P. K. Dick | Abstract PDF (Italiano) |
| Andrea Chiurato | ||
| Vol 7, No 14 (2017): Masks of the Tragic | The Weaver of Tales: Garrone and Tale of Tales (from Screenplay to Film) | Abstract PDF (Italiano) |
| Thea Rimini | ||
| Vol 7, No 14 (2017): Masks of the Tragic | "The dreams of a deformed Neapolitan Shakespeare". On Matteo Garrone's Visionary Realism | Abstract PDF (Italiano) |
| Massimo Fusillo | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Transformation of Space in the Adaptation of La straniera | Abstract PDF (Italiano) |
| Mahmoud Jaran | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | El secreto de sus ojos by Sacheri and Campanella |
Abstract PDF (Italiano) |
| Sandro Volpe | ||
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative | Serial Shakespeare – The Case of Star-Crossed (2014) | Abstract PDF |
| Kinga Földváry | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Great Expectations goes to Hollywood. The rereading of a classic from Lean to Cuarón |
Abstract PDF (Italiano) |
| Marialaura Simeone | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | ‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations | Abstract PDF (Italiano) |
| Marida Rizzuti | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Many ways of Waiting for Godot | Abstract PDF (Italiano) |
| Mirta Cimmino | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Marginal Spaces of an Eccentric Character: the Adaptation of the Novel Totò il buono | Abstract PDF (Italiano) |
| Matteo Martelli | ||
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative | From The Count of Montecristo to The Bethroted (to say nothing of Melissa): Italy and television serials during the Sixties | Abstract PDF (Italiano) |
| Achille Campanile, Gianni Rodari, Ivano Cipriani | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Dubbing: adapting cultures in the global communication era | Abstract PDF (ENGLISH) |
| Lidia Canu | ||
| Vol 1, No 1 (2011): Frontiers, Borders, Limits | Dangerous frontiers: adaptation | Abstract PDF (Italiano) |
| Sandro Volpe | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | La ragazza di Bube, or about the perfecting. From the Cassola’s novel to the Comencini’s film | Abstract PDF (Italiano) |
| Sandro de Nobile | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Alice in Danceland | Abstract PDF (Italiano) |
| Fabio Ciambella | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | The Adaptation of Myth: Semele’s Story in Pindar, Euripides, and Hölderlin’s Poetry | Abstract PDF (Italiano) |
| Maria Arpaia | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Identity and hope in Matteo Garrone’s adaptation of Giambattista Basile’s tale «The old woman who was skinned» read in the light of Gabriel Marcel’s and Ernst Bloch’s philosophy | Abstract PDF (Italiano) |
| Armando Maggi | ||
| Vol 1, No 1 (2011): Frontiers, Borders, Limits | Threshold Spaces Reconfiguration: On Pinocchio’s Metamorphosis, Between Collodi and Comencini | Abstract PDF (Italiano) |
| Pier Paolo Argiolas | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Loosely adapted from… Stories, codes, travels, mediations between literature and cinema | Abstract PDF (Italiano) |
| Donata Meneghelli | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | From novel to film: Soldados de Salamina and the paradox of the faithful betrayal |
Abstract PDF (Italiano) |
| Carla Maria Cogotti | ||
| 1 - 25 of 35 Items | 1 2 > >> | |
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