| |
| Issue |
Title |
| |
| Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours |
Parodying Lolita. Irony and its roles in the adaptations of Vladimir Nabokov’s masterpiece |
Abstract
PDF (Italiano)
|
|
Andrea Chiurato |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Transformation of Space in the Adaptation of La straniera |
Abstract
PDF (Italiano)
|
|
Mahmoud Jaran |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Great Expectations goes to Hollywood. The rereading of a classic from Lean to Cuarón |
Abstract
PDF (Italiano)
|
|
Marialaura Simeone |
| |
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative |
Serial Shakespeare – The Case of Star-Crossed (2014) |
Abstract
PDF
|
|
Kinga Földváry |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
El secreto de sus ojos by Sacheri and Campanella |
Abstract
PDF (Italiano)
|
|
Sandro Volpe |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Many ways of Waiting for Godot |
Abstract
PDF (Italiano)
|
|
Mirta Cimmino |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations |
Abstract
PDF (Italiano)
|
|
Marida Rizzuti |
| |
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative |
From The Count of Montecristo to The Bethroted (to say nothing of Melissa): Italy and television serials during the Sixties |
Abstract
PDF (Italiano)
|
|
Achille Campanile, Gianni Rodari, Ivano Cipriani |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Marginal Spaces of an Eccentric Character: the Adaptation of the Novel Totò il buono |
Abstract
PDF (Italiano)
|
|
Matteo Martelli |
| |
| Vol 2, No 3 (2012): Literature before the Law |
Linda Hutcheon, Teoria degli adattamenti. I percorsi delle storie fra letteratura, cinema, nuovi media |
Abstract
PDF (Italiano)
|
|
Franco Nasi |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
From the white page to the staff paper: when Ravel got possession of Renard’s animals. |
Abstract
PDF (Italiano)
|
|
Liana Püschel |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
A case of internal and external transmediality: Swann by Carol Shields |
Abstract
PDF (Italiano)
|
|
Beatrice Seligardi |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Dubbing: adapting cultures in the global communication era |
Abstract
PDF (ENGLISH)
|
|
Lidia Canu |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Towards a Wise Despotism: Traces of Thomas Carlyle in the BBC North and South (2004) |
Abstract
PDF (ENGLISH)
|
|
Mark Wallace |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Teorema: a literary and cinematographic parable |
Abstract
PDF (Italiano)
|
|
Paolo Orrù, Maura Bonfiglio |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Literature and Cinema from "Adaptation" to Re-creation: Coping with the Complexity of Human Recollection |
Abstract
PDF (Italiano)
|
|
Carlo Testa |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
From Princesa to Princess with a Prince: 1994 and 2001 Fernanda's Stories |
Abstract
PDF (Italiano)
|
|
Polina Shvanyukova |
| |
| Vol 1, No 1 (2011): Frontiers, Borders, Limits |
Dangerous frontiers: adaptation |
Abstract
PDF (Italiano)
|
|
Sandro Volpe |
| |
| Vol 2, No 3 (2012): Literature before the Law |
Federico Condello, Elettra |
Abstract
PDF (Italiano)
|
|
Cinzia Guadalaxara |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
La ragazza di Bube, or about the perfecting. From the Cassola’s novel to the Comencini’s film |
Abstract
PDF (Italiano)
|
|
Sandro de Nobile |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Alice in Danceland |
Abstract
PDF (Italiano)
|
|
Fabio Ciambella |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
The Adaptation of Myth: Semele’s Story in Pindar, Euripides, and Hölderlin’s Poetry |
Abstract
PDF (Italiano)
|
|
Maria Arpaia |
| |
| Vol 1, No 1 (2011): Frontiers, Borders, Limits |
Threshold Spaces Reconfiguration: On Pinocchio’s Metamorphosis, Between Collodi and Comencini |
Abstract
PDF (Italiano)
|
|
Pier Paolo Argiolas |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
Loosely adapted from… Stories, codes, travels, mediations between literature and cinema |
Abstract
PDF (Italiano)
|
|
Donata Meneghelli |
| |
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching |
From novel to film: Soldados de Salamina and the paradox of the faithful betrayal |
Abstract
PDF (Italiano)
|
|
Carla Maria Cogotti |
| |
| 1 - 25 of 26 Items |
1 2 > >> |
