| Issue | Title | |
| Vol 6, No 12 (2016): Who Laughs Last: Parody Satire Humours | Parodying Lolita. Irony and its roles in the adaptations of Vladimir Nabokov’s masterpiece | Abstract PDF (Italiano) |
| Andrea Chiurato | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Poetics of the Sublime. The Coro di morti, from Operette morali to Goffredo Petrassi | Abstract PDF (Italiano) |
| Giovanni Vito Distefano | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Transformation of Space in the Adaptation of La straniera | Abstract PDF (Italiano) |
| Mahmoud Jaran | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | El secreto de sus ojos by Sacheri and Campanella |
Abstract PDF (Italiano) |
| Sandro Volpe | ||
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative | Serial Shakespeare – The Case of Star-Crossed (2014) | Abstract PDF |
| Kinga Földváry | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Great Expectations goes to Hollywood. The rereading of a classic from Lean to Cuarón |
Abstract PDF (Italiano) |
| Marialaura Simeone | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | ‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations | Abstract PDF (Italiano) |
| Marida Rizzuti | ||
| Vol 6, No 11 (2016): Forms, Strategies and Mutations of Serial Narrative | From The Count of Montecristo to The Bethroted (to say nothing of Melissa): Italy and television serials during the Sixties | Abstract PDF (Italiano) |
| Achille Campanile, Gianni Rodari, Ivano Cipriani | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Marginal Spaces of an Eccentric Character: the Adaptation of the Novel Totò il buono | Abstract PDF (Italiano) |
| Matteo Martelli | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Many ways of Waiting for Godot | Abstract PDF (Italiano) |
| Mirta Cimmino | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Audiovisual translation: Theory and practice | Abstract PDF (Italiano) PDF (ENGLISH) |
| Eleonora Fois | ||
| Vol 2, No 3 (2012): Literature before the Law | Linda Hutcheon, Teoria degli adattamenti. I percorsi delle storie fra letteratura, cinema, nuovi media | Abstract PDF (Italiano) |
| Franco Nasi | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Il tessitore di fiabe: Garrone e Il racconto dei racconti (dalla sceneggiatura al film) |
Abstract PDF (Italiano) |
| Thea Rimini | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Towards a Wise Despotism: Traces of Thomas Carlyle in the BBC North and South (2004) | Abstract PDF (ENGLISH) |
| Mark Wallace | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Teorema: a literary and cinematographic parable | Abstract PDF (Italiano) |
| Paolo Orrù, Maura Bonfiglio | ||
| Vol 7, No 14 (2017): Masks of the Tragic | “I sogni di un deforme Shakespeare napoletano". Sul realismo visionario di Matteo Garrone | Abstract PDF (Italiano) |
| Massimo Fusillo | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Literature and Cinema from "Adaptation" to Re-creation: Coping with the Complexity of Human Recollection | Abstract PDF (Italiano) |
| Carlo Testa | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | From Princesa to Princess with a Prince: 1994 and 2001 Fernanda's Stories | Abstract PDF (Italiano) |
| Polina Shvanyukova | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | From Satis House to Newgate: Manipulation and Repression in the Adaptation of Great Expectations by Julian Jarrold | Abstract PDF (Italiano) |
| Claudia Cao | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | From the white page to the staff paper: when Ravel got possession of Renard’s animals. | Abstract PDF (Italiano) |
| Liana Püschel | ||
| Vol 2, No 3 (2012): Literature before the Law | Federico Condello, Elettra | Abstract PDF (Italiano) |
| Cinzia Guadalaxara | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | A case of internal and external transmediality: Swann by Carol Shields | Abstract PDF (Italiano) |
| Beatrice Seligardi | ||
| Vol 2, No 4 (2012): Adaptation: The Transformations of Stories Through Code-switching | Dubbing: adapting cultures in the global communication era | Abstract PDF (ENGLISH) |
| Lidia Canu | ||
| Vol 7, No 14 (2017): Masks of the Tragic | Il racconto dei racconti tra scrittura e immagine. Un’introduzione | Abstract PDF (Italiano) |
| Niccolò Scaffai | ||
| Vol 1, No 1 (2011): Frontiers, Borders, Limits | Dangerous frontiers: adaptation | Abstract PDF (Italiano) |
| Sandro Volpe | ||
| 1 - 25 of 32 Items | 1 2 > >> | |
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