Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood

  • Dunja Radetic Università Ca' Foscari Venezia
Keywords: Art History, Quotation, Intermediality, Memory, Reactivation,

Abstract

Taking a cue form theoretical studies on adaptation, we propose to draw a relationship with similar insights emerged in some recent art historical studies.
Through a theoretical analysis of two contemporary artworks by Cindy Sherman and Sam Taylor Wood, both based on earlier visual tradition, we will consider the effects of re-production of images as the re-production of deferred meaning. The intersystemic quotation such as painting - tableau vivant – coding by photographic and video technologies, works at different levels and creates high degree of ambiguity between the media and the images involved. This mediation produces disturbing effects on the viewer who has to recognize in the artwork an contaminated and elusive visual tradition, which displays a latent meanings and (re)activates memory images. In order to understand these complex layers it is necessary to consider the work and its subtext in terms of a shared temporality in which images, media and extratextual memories, interact.

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Author Biography

Dunja Radetic, Università Ca' Foscari Venezia

Dunja Radetic is a PhD candidate at Ca' Foscari IUAV inter-university doctoral school in Art History. Her research project is about strategies of migration of art historical imagery in contemporary art, under supervision of prof. Giuseppe Barbieri. She is interested in the field of multimedia design for the rapresentation of art historical images in IT applications for museums.

Publications

Ai confini tra tecnologia, arte e storia dell'arte. alcuni esempi di visualizzazione e interazione, Atti COMPALIT «Performance e performatività» 2010, 2011

Per un Centro Multimediale su Giovanni Antonio de' Sacchis detto il Pordenone: analisi dinamica dell’opera d’arte, 2011

Cenni sulla storia dell’arte nel web dagli anni ’90 a oggi, 2009

Email: dunja.radetic@unive.it

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Published
2012-12-24
How to Cite
Radetic, D. (2012). Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood. Between, 2(4). https://doi.org/10.13125/2039-6597/685