Montale or Melancholy: A Response to Sandro Maxia

Maria Carla Papini

Abstract


Sandro Maxia's reading of Montale's Mediterraneo offers itself as the starting point of an analysis putting into evidence the metapoetic component of Montale's poem. This component defines the difference between Montale's poetic experimentation, and the orphic standpoints in the poems of Michelstaedter, Campana, Ungaretti written some ten years before.


Keywords


Montale; Mediterraneo; Poetry; Early 1900

Full Text:

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References


Bigongiari, Piero, “I primi tre tempi della lirica montaliana ovvero «Il difficile discorso»”, Poesia italiana del Novecento, Milano, il Saggiatore, 1980, II.

Cerruti, Marco, Carlo Michelstaedter, Milano, Mursia, 1967.

Michelstaedter, Carlo, Poesie, Ed. Sergio Campailla, Milano, Adelphi, 1987.

Michaelstedter, Carlo, La persuasione e la rettorica, Ed. Sergio Campailla, Milano, Adelphi, 2010.

Montale, Eugenio, L’opera in versi, Eds. Rosanna Bettarini – Gianfranco Contini, Torino, Einaudi, 1980.

Ungaretti, Giuseppe, Vita d’un uomo. Tutte le poesie, Ed. Carlo Ossola, Milano, Mondadori, 2009.




DOI: http://dx.doi.org/10.13125/2039-6597/120

NBN: http://nbn.depositolegale.it/urn%3Anbn%3Ait%3Aunica-17508

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