The Woman is not present. Who is missing the "Posto occupato" call and other rethorical questions
Abstract
The social drama that the performance of "Posto occupato" represents is inscribed within the path that, in recent years and not only in Italy, sheds light on criminal harassment suffered by women,
The antagonism of such conflict is confined to the absence of that eloquent "Posto occupato", which summons the oppressor and the victim within the circumscribed and "limbal" space of the murder, and evokes the sacred milieu of the crime - its profaning scandal.
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References
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