Variations, Pause, and Restart
Dance as a Sensible Experience of Time
Abstract
In the following paper, we will focus in particular on the research and reflections carried out by the French anthropologist Philippe Descola, who offers us a useful perspective to radically rethink the conceptualisation that, through a millenary movement, has led our Western culture, represented by what he calls the Moderns (borrowing an expression from Bruno Latour), to objectify the natural environment and to deploy it as a separate and unmanageable entity to be dominated.
Downloads
References
Cimatti, F. (2013). Filosofia dell’animalità. Bari: Editori Laterza.
Derrida, J. (2021). L’animale che dunque sono. Milano: Rusconi.
Descola, P. (2021). Oltre natura e cultura. Milano: RaffaelloCortina Editore.
Foucault, M. (2014). L’ordine del discorso e altri interventi. Torino: Einaudi.
Foucault, M. (2016). Le parole e le cose. Un’archeologia delle scienze umane. Milano: Rizzoli.
Nietzsche, F. (1979). Umano, troppo umano. Un libro per spiriti liberi. Vol. I. Milano: Adelphi.
Waldenfels, B. (2006). Fenomenologia dell’estraneo. Milano: RaffaelloCortina Editore.
Copyrights for articles published in Critical Hermeneutics are retained by the authors, with first publication rights granted to the journal.
Critical Hermeneutics is published under a Creative Commons Attribution Licence CC BY 3.0
. With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute and/or copy the contribution (edited version), on condition that credit is properly attributed to its author and that Critical Hermeneutics is mentioned as its first venue of publication.
