A demystification of the account of originality ex nihilo: César Vallejo, Trilce and dada Paris: traces of a silenced stimulus.
Abstract
This note is a commentary on Carlos Fernández’s César Vallejo, Trilce y dadá París: huellas de un estímulo silenciado. Woodbridge: Boydell & Brewer Ltd, 2023.
Downloads
References
& Brewer Ltd.
Copyright (c) 2024 Luis Collahua Huapaya

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Licenza Creative Commons - Attribution 4.0 International (CC-BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).