Rapa Nui oral tradition stories contained in the string game Kai kai. Relationships of archive and repertoire
Abstract
The Kai kai is an ancestral practice of Rapa Nui culture that involves the creation of one or several figures made with a thread while narrating a story through singing or recitation called Patau’tau, all of the above accompanied by specific body movements. This practice comprises various languages that, as repertoires, contribute to the creation of the figure or landscape, which serves as a record or archive of the Kai kai narrative. Ultimately, the body supports a tradition restored through these acts of information transfer across generations. It is possible to consider that both dimensions, archive, and repertoires, are intrinsically linked to each other, forming part of a whole, and they allow for maintaining fundamental pieces of tradition and oral literature in the memory of the Rapa Nui people.
Downloads
References
Bahn, Paul y John Frenley. 2014. Isla de Pascua. Isla Tierra. Chile: Rapanui Press.
Blixen, Olaf. 2019 [1979]. Figuras de hilo tradicionales de la Isla de Pascua y sus correspondientes salmodias. Chile: Rapanui Press.
Campbell, Ramón. 1988. “Etnomusicología De La Isla De Pascua”. Revista Musical Chilena 42 (170): 5-47. https://revistamusicalchilena.uchile.cl/index.php/RMCH/article/view/13303.
Delsing, Riet. 2017. Articulando Rapa Nui, políticas culturales polinésicas frente al Estado chileno. Traducido por Vicente Lane. Santiago, Chile: Editorial LOM.
Diccionario de la lengua Rapa Nui He puka rara rauhuru vanana Rapa Nui. 2021. Chile: Ministerio de Desarrollo Social y Familia, Gobierno de Chile.
Englert, Sebastián. 2016. La Tierra de Hotu Matu’a. Rapa Nui: Rapanui Press.
Equipo MAPSE, Museo Rapa Nui. s.f. Los ancestros de Rapa Nui, formación y desarrollo de una cultura única. Guía del Museo Antropológico Padre Sebastián Englert. Servicio Nacional de Patrimonio Cultural.
Fischer, Steven. 2021. Isla en el fin del mundo. Rapa Nui: Rapanui Press.
Garrido, Marcela. 2023a. Figuras de hilo. Chile y el mundo. Rapa Nui: Rapanui Press.
Garrido, Marcela. 2023b. Lorenzo Baeza Vega y el kaikai. Rapanui Press.
Halbwachs, Maurice. 2011. La memoria colectiva. Traducido por Federico Baldarce. Buenos Aires: Miño y Dávila Editores.
Heyerdhal, Thor. 2019 [1957]. Aku-Aku: el secreto de Isla de Pascua. Rapa Nui: Rapanui Press.
Leroi-Gourhan, André. 1971 [1965]. El gesto y la palabra. Caracas: Publicaciones de la Universidad Central de Venezuela.
McColl, Jennifer. 2019. Cuerpo y visualidad. Reflexiones en torno al archivo. Santiago: Metales pesados.
Medina, Camila. 2015. Maestras de la tradición oral Rapanui. Crónicas y relatos de artistas de Isla de Pascua. Santiago de Chile: Cuarto Propio.
Metraux, Alfred. 2021 [1941]. La Isla de Pascua. Rapa Nui: Rapanui Press.
Pakarati, Isabelle et al. (Eds.) 1995. Kai Kai, sentimiento y cuerpo de la tradición oral Rapa Nui. Isla de Pascua: N.P.
“Ana Hue Neru”. 2019. Revista MoeVarua. Versión en línea, https://moevarua.com/ana-hue-neru/.
Rodríguez, R. Lacalle. 2008. “La codificación del relato mítico en el arte del paleolítico superior”. Spal 17:79-95. https://doi.org/10.12795/spal.2008.i17.05.
Sistema de información para la gestión del patrimonio cultural inmaterial, SIGPA. 2022. Identificador SIGPA: CI2003. Consultado el 27 de diciembre de 2022. https://www.
sigpa.cl/ficha- individual/isabel- pakarati- tepano#:~:text=Isabel%20hoy%20es%20el%20referente,tradici%C3%B3n%20oral%20de%20Rapa%20Nui..
Taylor, Diana. 2017. El archivo y el repertorio. La memoria cultural performática en las Américas. Traducido por Anabelle Contreras. Santiago: Ediciones Universidad Padre Hurtado.
Copyright (c) 2024 Ilsen Jofré Seguel

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Licenza Creative Commons - Attribution 4.0 International (CC-BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).