Readings and representations of the trialectics of spatial and the trialectics of being in Sergio Chejfec's short stories
Abstract
Modo linterna’s short-stories “Donaldson Park” and “Hacia la ciudad eléctrica”, by Argentinian author Sergio Chejfec (Buenos Aires, 1956), can be taken as paradigmatic texts to understand the juxtaposed dynamics between spaces and identities in the contemporary individual’s urban experience. In order to evaluate the latter, my aim in this paper is to propose a reading of identity and space as processes articulated through the multiple configurations of the trialectics of space (Lefebvre [1974] 2013) and the trialectics of being (Soja 1996). The purpose of this article is to analyze how the spatiality depicted in Chejfec’s short-stories proposes an understanding of the contemporary individual as a spatial, historical and social being, while at the same it formulates a reading of space as a starting-point to carry out an interpretation of the configurations of the sensitive experience that gives rise to new modes of feeling and induce new forms to interpret the self in space.
Downloads
References
Baudrillard, Jean. 1978. Cultura y simulacro. Traducción de Pedro Rovira. Barcelona: EditorialKairós.
Chejfec, Sergio. 2014 [2013]. “Donaldson Park.” En Modo linterna, 25-44. Barcelona: EditorialCandaya.
Chejfec, Sergio. 2014 [2013]. “Hacia la ciudad eléctrica.” En Modo linterna, 181-213. Barcelona:Editorial Candaya.
Françoise, Liesbeth. 2015. “Andares vacilantes. Caminata y espacio en la obra narrativa deSergio Chejfec.” PhD. Tesis, Universidad de Lovaina.
Guerra, Juan José. 2014. “Paisajes urbanos en la narrativa reciente de Sergio Chejfec. Una lec-tura de “Donaldson Park” y “Hacia la ciudad eléctrica”.” Actas del V Congreso Inter-nacional CELEHIS de Literatura, Universidad Nacional de Mar del Plata, Mar del Pla-ta, Argentina, 10, 11 y 12 de noviembre, 1155-61, http://www.mdp.edu.ar/humanida-des/letras/celehis/congreso/2014/docs/actas2014ccelehis.pdf. Consultado 10 de marzode 2017.
Lefebvre, Henri. 2013 [1974]. La producción del espacio. Traducción de Emilio Martínez. Ma-drid: Capitán Swing.
Niebylski, Dianna. 2012. “Introducción: Sergio Chejfec: De Lenta biografía a Mis dos mundos.”En Sergio Chejfec: Trayectorias de una escritura. Ensayos críticos, editado por Dianna Nieb-ylski, 11-29. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, Universi-dad de Pittsburgh.
Selgas, Gianfranco. 2017. “Estética, política y experiencia de espacios consustanciales. De latrialéctica del espacio y la distribución de lo sensible en Modo linterna, de SergioChejfec.” MPhil. Tesis, Universidad de Estocolmo.
Soja, Edward. 1996. Thirdspace. Journeys to Los Angeles and Other Real-and-Imagined Places.Massachusetts: Blackwell.
Swyngedouw, Erik, Frank Moulaert y Arantxa Rodriguez. 2002. “Neoliberal Urbanization inEurope: Large-Scale Urban Development Projects and the New Urban Policy.” Antipode34: 542-77, doi:10.1111/1467-8330.00254. Consultado 30 de enero de 2017.
Copyright (c) 2017 Gianfranco Selgas

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Licenza Creative Commons - Attribution 4.0 International (CC-BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).