John Fante and the poetics of failure. Ethnic and generational conflicts in My dog stupid’s suburban Los Angeles
Abstract
The essay tries to offer different perspectives for the analysis of the least considered novel written by Italian American author John Fante, My Dog Stupid (1986). This autobiographical novel is the only one in Fante’s production that is set in the same period the author wrote it, the Los Angeles Sixties. After a brief introduction about the creative and editorial process of the novel, which has been published posthumous, the essay provides an inter-textual analysis of those Fante’s novels that deal with ethnic based father-son relationships. Therefore, the essay provides an overview of the cultural and social context of the Sixties in Los Angeles’ suburbs (including references to the Watts Riots and to the growing LA rock music) and investigates how this context is reflected in the novel. Finally, the essay tries to make a synthesis between two critical interpretations of the novel, Richard Collins’ ethnic based and nostalgic reading, and Emanuele Pettener’s humoristic based reading, highlighting the importance of humor, satire and irony in Fante’s narrative style.Keywords: Italian American Studies; John Fante; American Sixties; Los Angeles Suburbs; Literary Criticism
Downloads
References
Cartosio Bruno.1992. Anni inquieti. Società media ideologie negli Stati Uniti da Truman a Kennedy.Roma: Editori Riuniti.
Collins, Richard. 2000. John Fante. A Literary Portrait. Toronto: Guernica.
Cooper, Stephen. 2000. Full of Life. A Biography of John Fante. New York: North Point Press.
Durante, Francesco. 1999. “Fante, un itinerario italiano”. In John Fante, Tesoro, qui è tutto una follia.Lettere dall'Europa (1957-1960), trad. di Alessandra Osti. Roma: Fazi.
Fante, Dan. 2011. Fante. A Family's Legacy of Writing, Drinking and Surviving. New York: Harper Col-lins.
Fante, John. 2003. Romanzi e racconti, a cura di Francesco Durante. Milano: I Meridiani Mondadori.
Fante, John. 2014. Lettere 1932-1981, a cura di Seamus Cooney, trad. di Alessandra Osti. Torino: Einaudi.
Fiorentino, Baldo. 1999. “Bandini è arrivato a Napoli. John Fante il più italiano fra gli scrittori ame-ricani”. In John Fante, Tesoro, qui è tutto una follia. Lettere dall'Europa (1957-1960), trad. di Ales-sandra Osti. Roma: Fazi.
Francellini, Carla. 2018. Visible/Invisible. Incursioni nella narrativa italiana americana contemporanea.Roma: Artemide.
Gardaphé, Fred L. 1996. Dagoes Read. Tradition and the Italian/American Writer. Toronto: Guernica.
Gennari, John. 2017. Flavor and Soul. Italian America at Its African American Edge. Chicago: The Uni-versity of Chicago Press.
Hawthorn, Ruth. 2018. “Delinquent Dogs and the Molise Malaise: Negotiating Suburbia in JohnFante's 'My Dog Stupid'”. Journal of American Studies 52, no. 3 (Agosto): 766-786.
Kordich, Catherine J. 2000. John Fante. His Novels and Novellas. New York: Twayne Publishers.
Luconi, Stefano. 1999. The Protean Ethnic Identities of John Fante's Italian-American Characters. In JohnFante. A Critical Gathering, a cura di Stephen Cooper e Richard Collins. Madison NJ: FairleighDickinson University Press.
Miles, Berry. 2014. Frank Zappa. La vita e la musica di un uomo Absolutely Free, trad. di Matteo Marao-ne. Milano: Feltrinelli.
Napolitano, Gian Gaspare. 2000. “L'abruzzese di Hollywood”. In John Fante, Una moglie per DinoRossi, trad. di Maria Martone. Palermo: Sellerio.
Paoletti, Gianni. 2005. John Fante: storie di un italoamericano. Foligno: Editoriale Umbra.
Pettener, Emanuele. 2010. Nel nome del padre, del figlio e dell'umorismo. I romanzi di John Fante. Fi-renze: Franco Cesati Editore.
Romano, Alessia. 2006. “La fortuna di Fante in tre interviste”. In The Road to Italy and the UnitedStates: la creazione e diffusione delle opere di John Fante, a cura di Teresa Fiore, Quaderni del '900,VI.
Tamburri, Anthony J. 1991. To Hyphenate or Not to Hyphenate? The Italian/American Writer. An otherAmerican. Toronto: Guernica.
Copyright (c) 2019 Enrico Mariani

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Licenza Creative Commons - Attribution 4.0 International (CC-BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).