From Bruges-la-Morte to Le Mirage. The loss of a character?

  • Maria Elisabetta Nieddu University of Cagliari
Keywords: Bruges, city, Rodenbach, Symbolism, theatre

Abstract

The title of Bruges-la-Morte by Georges Rodenbach's novel written in 1892, could be considered without much effort an eponymous title, considering the city of Bruges as the main character of the story. That is a statement by the same author in fact, the city is not only the place where the story develops, but the character that affects and causes actions themselves of the protagonist of the novel, the widower Hugues Viane. If the intent of the author is certainly realized in the novel, what about the city's role in the posthumous play adapted from Bruges-la-Morte, entitled Le Mirage? Shall we perhaps resign to the loss of a character, transformed irreversibly to a pure scenario? Or maybe is it possible through dialogue and staging made to recreate the atmosphere of anguish and sense of death that emanates from the Rodenbach’s canals, bells and belfries ? The objective of this proposed study is therefore to investigate the differences between the novel and the play works to highlight the different textual aspects which focuses differently in the two Rodenbach’s works.

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Author Biography

Maria Elisabetta Nieddu, University of Cagliari

Maria Elisabetta Nieddu is 28 years old. After a BA and an MA in Foreign Languages and Literature at the University of Cagliari, she is now enrolled at the third year of a Ph.D. in French Literature at the same University. At the moment she is carrying out a thesis on the urban vision in Flemish writers by 1880 to First World War.

References

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Published
2012-12-19
How to Cite
Nieddu, M. E. (2012). <p>From <i>Bruges-la-Morte</i> to <i>Le Mirage</i>. The loss of a character?</p&gt;. Between, 2(4). https://doi.org/10.13125/2039-6597/635