Tragic Oedipus, Precarious Oedipus: Inheritance, Legacy and Crisis’ Imaginary in Game of Thrones

  • Valentina Sturli University of Padua (Italy) and Université Paris Sorbonne (France).
Keywords: Game of Thrones, Crisis, Oedipal complex, Epic, Tragedy

Abstract

The purpose of this paper is to read the TV series Game of Thrones as a great contemporary narration in which themes and forms of epic and tragic genre intersect and are reconfigured.

By analyzing the main narrative sequences of the plot, it will be shown that Game of Thrones stages an original version of oedipal conflict, which plays a key role in the conceptualization of fight between generations, at the confluence of individual aspirations and community rules. This point of view enables to investigate the subjects’ roles and functions in relation to their family units and to the social collectivity, in a serial narration fully focused on fighting for dynastic succession and on the management of power in times of war and turmoil.

It will be proposed that the peculiar configuration of the oedipal theme in Game of Thrones deeply resonates whit the dynamics of increasing financial and social crisis of contemporary times.

Downloads

Download data is not yet available.

Author Biography

Valentina Sturli, University of Padua (Italy) and Université Paris Sorbonne (France).

PhD Student -  Dipartimento di Studi Linguistici e Letterari, Università degli Studi Padova and École Doctorale IV, Civilisations, cultures, littératures et sociétés, Université Paris IV Sorbonne.

References

Alfano, Adgate, Brad, “What 'Mad Men' Was And Wasn't”, Forbes, 17.05.2015, https://www.forbes.com/sites/bradadgate/2015/05/17/what-mad-men-was-and-wasnt/#538f696e655f, online (ultimo accesso 10/11/2017).

Ayers, Mike – Calia, Michael, “How ‘Game of Thrones’ Became the Most Viral Show on Television”, The Wall Street Journal, 14.04.2016, https://www.wsj.com/articles/how-game-of-thrones-became-the-most-viral-show-on-television-1460647937, online (ultimo accesso 10/11/2017).

Bandirali, Luca – Terrone, Enrico, Filosofia delle serie TV dalla Scena del Crimine al Trono di Spade, Milano-Udine, Mimesis, 2012.

Barker, Martin J., “The Lord of the Rings and ‘Identification’: A Critical Encounter”, European Journal of Communication, 20.3 (2005): 353-378.

Bellini, Paolo, “L’anello del potere e il nichilismo post-moderno”, La filosofia del Signore degli Anelli, Ed. Claudio Bonvecchio, Milano-Udine, Mimesis, 2008.

Berridge, Scott, “Millennials after the Great Recession”, Bureau of Labor Statistics, September 2014, https://www.bls.gov/opub/mlr/2014/beyond-bls/millennials-after-the-great-recession.htm, online (ultimo accesso 10/11/2017).

Bruun Vaage, Margrethe, The Antihero in American Television, Routledge, New York, 2016.

Clute, John – Grant, John (eds.), The Encyclopedia of Fantasy, London, Orbit, 1997.

Cohen, Jonathan, “Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters”, Mass Communication and Society 4.3 (2001): 245-264.

Collins, Scott, “PBS reveals who’s really watching ‘Downton Abbey’”, Los Angeles Times, 28.03.2012, http://latimesblogs.latimes.com/showtracker/2012/03/pbs-reveals-whos-really-watching-downton-abbey-.html, online (ultimo accesso 10/11/2017).

Cuccinello, Hayley C., “’Game Of Thrones’ Season 6 Costs $10 Million Per Episode, Has Biggest Battle Scene Ever”, Forbes, 22.04.2016, https://www.forbes.com/sites/hayleycuccinello/2016/04/22/game-of-thrones-season-6-costs-10-million-per-episode-has-biggest-battle-scene-ever/#3bef76cc11bb, online (ultimo accesso 10/11/2017).

Dey, Judith D. – Pierret, Charles R., “Independence for young millennials: moving out and boomeranging back”, Bureau of Labor Statistics, December 2014, https://www.bls.gov/opub/mlr/2014/article/independence-for-young-millennials-moving-out-and-boomeranging-back.htm, online (ultimo accesso 10/11/2017).

Egner, Jeremy, “‘Game of Thrones’ Season 7, Episode 7: Dragons, Wolves and Family Reunions”, The New York Times, 28.08.2017, https://www.nytimes.com/2017/08/28/arts/television/game-of-thrones-season-7-finale-a-night-for-family-reunions.html, online (ultimo accesso 10/11/2017).

Emig, Rainer, “Fantasy as Politics: George R. R. Martin’s A Song of Ice and Fire”, Politics in Fantasy Media, Eds. Gerold Sedlmayr – Nicole Waller, McFarland & Company, Inc., Publishers, Jefferson, North Carolina, 2014: 85-96.

Flieger, Verlyn, Green Suns and Faërie. Essays on J. R. R. Tolkien, The Kent State University Press, Kent, Ohio, 2012.

Gilmore, Mikal, “George R.R. Martin: The Rolling Stone Interview”, Rolling Stone, 23.04.2014, http://www.rollingstone.com/tv/news/george-r-r-martin-the-rolling-stone-interview-20140423?page=4, online (ultimo accesso 10/11/2017).

Gjelsvik, Anne – Schubart, Rikke (eds.), Women of Ice and Fire. Gender, Game of Thrones and Multiple Media Engagements, Bloomsbury, New York/London, 2016.

Iannuzzi, Giulia, “Sexposition e potere a Westeros”, Quaderni d’altri tempi, 63 (2016), http://www.quadernidaltritempi.eu/rivista/numero63/bussole/q63_b03.html, online (ultimo accesso 10/11/2017).

James Edward (Ed.), Cambridge Companion to Fantasy, Cambridge University Press, Cambridge, 2012.

Kasperkevic, Jana, “Tired, poor, huddled millennials of New York earn 20% less than prior generation”, The Guardian, 26.04.2016, https://www.theguardian.com/us-news/2016/apr/25/new-york-millennials-great-depression-economic-crisis, online (ultimo accesso 10/11/2017).

Koblin, John, “‘Game of Thrones’ Finale Draws Record Ratings”, The New York Times, 28.06.2016, https://www.nytimes.com/2016/06/29/arts/television/game-of-thrones-finale-draws-record-ratings.html?smid=tw-nytimes&smtyp=cur&_r=2&mtrref=undefined&gwh=7C8957565448F50CDFA8E25D6BB9A988&gwt=pay, online (ultimo accesso 10/11/2017).

Lambert, Charles, “A tender spot in my heart: disability in A Song of Ice and Fire”, Critical Quarterly, 51.1 (April 2015): 20-33.

Lowrey, Annie, “Europe’s New Lost Generation”, Foreign Policy, 13.07.2009, http://foreignpolicy.com/2009/07/13/europes-new-lost-generation/, online (ultimo accesso 10/11/2017).

MacNeil, William P., “Machiavellian fantasy and the game of lives”, Critical Quarterly, 57.1 (April 2015): 34-48.

McCaffrey, Matthew, “The Economic Sense in Game of Thrones”, Mises Institute, 06.07.2013, https://mises.org/library/economic-sense-game-thrones, online (ultimo accesso 10/11/2017).

Moretti, Franco, Opere Mondo, Einaudi, Torino, 1994.

Id., “The Slaughterhouse of Literature”, Modern Language Quarterly, 61. 1 (2000): 207-227.

O’Connell, Michael, “TV Ratings: 'Game of Thrones' Return Nabs New Record Audience”, The Hollywood Reporter, 14.04.2015, http://www.hollywoodreporter.com/live-feed/tv-ratings-game-thrones-return-788658, online (ultimo accesso 10/11/2017).

Orlando, Francesco, “Statuti del soprannaturale nella narrativa”, Il Romanzo, Ed. Franco Moretti, vol. I, Torino, Einaudi, 2001: 195-226.

Id., Il soprannaturale letterario, Torino, Einaudi, 2017.

Pisanty, Valentina, “Effetti di serie. Semiotica della dipendenza televisiva”, Forme, strategie e mutazioni del racconto seriale, Eds. A. Bernardelli – E. Federici – G. Rossini, Between, VI.11 (2016): 16-17.

Recalcati, Massimo, Il complesso di Telemaco. Genitori e figlio dopo il tramonto del padre, Milano, Feltrinelli, 2013.

Roberts, Brian – Terrell, Dalton, “A cohort component analysis of the 2007–2009 recession”, Bureau of Labor Statistics, March 2014, https://www.bls.gov/opub/mlr/2014/article/a-cohort-component-analysis-of-the-2007-2009-recession.htm, online (ultimo accesso 10/11/2017).

Rossini, Gianluigi, Le serie TV, Bologna, il Mulino, 2016.

Rushton, Richard – Bettinson, Gary, What is Film Theory? An Introduction to Contemporary Debates, Mac Graw Hill, New York, 2011.

Ryan, Maureen, “TV Review: ‘Game of Thrones’ Season 7 Finale”, Variety, 20.08.2017, http://variety.com/2017/tv/reviews/game-of-thrones-season-7-finale-review-1202540715/, online (ultimo accesso 10/11/2017).

Shepherd, Jack, “The 7 most expensive TV shows ever made: From Game of Thrones to Friends”, Independent, 09.03.2017, http://www.independent.co.uk/arts-entertainment/tv/news/most-expensive-tv-show-game-of-thrones-friends-the-get-down-crown-a7619996.html, online (ultimo accesso 10/11/2017).

Tammaro, Gianmaria, “Il Trono di Spade, perché la settima stagione è la più criticata e la più vista di sempre”, La Stampa, 01.09.2017, http://www.lastampa.it/2017/09/01/spettacoli/tv/il-trono-di-spade-perch-la-settima-stagione-la-pi-criticata-e-la-pi-vista-di-sempre-4qDKjypuwYVzTLbXtBwzKM/pagina.html, online (ultimo accesso 10/11/2017).

Tan, Shelly, “Valar Morghulis. An illustrated guide to all 704 deaths in ‘Game of Thrones’”, The Washington Post, 10.07.2017, https://www.washingtonpost.com/graphics/entertainment/game-of-thrones/, online (ultimo accesso 10/11/2017).

Walters, James, Fantasy Film. A critical Introduction, Berg, Oxford, New York, 2011.

Wigler, Josh, “’Game of Thrones’: The Top 30 Characters, Ranked”, The Hollywood Reporter, 20.12.2016, http://www.hollywoodreporter.com/live-feed/game-thrones-top-30-characters-ranked-957542, online (ultimo accesso 10/11/2017).

Williamson, Jamie, The Evolution of Modern Fantasy, Palgrave Mac Millan, New York, 2015.

Sitografia

“A Primer on Network Analysis”, Network of Thrones, https://networkofthrones.wordpress.com/a-primer-on-network-analysis/, June-July 2017, web (ultimo accesso 10/11/2017).

A Song of Ice and Data, 2016, (https://got.show/ e https://got.show/statistics, web (ultimo accesso 28/04/2017).

“‘Game of Thrones’ most pirated tv show of 2015”, Torrentfreak, 27.12.2015, https://torrentfreak.com/game-of-thrones-most-pirated-tv-show-of-2015/, web (ultimo accesso 10/11/2017).

HBO – Game of Thrones, http://www.hbo.com/game-of-thrones/index.html, web (ultimo accesso 10/11/2017).

“Rapporto annuale 2016”, Istat, 20.05.2016,

https://www.istat.it/it/files/2016/05/Sintesi-2016.pdf, web (ultimo accesso 10/11/2017).

“Target Audience for Breaking Bad”, Magazine Research, 29.09.2014, http://danstubbsasmedia.blogspot.fr/2014/09/target-audience-for-breaking-bad.html, web (ultimo accesso 10/11/2017).

“What are Game of Thrones fans like? Check out the results of this demographic survey”, Fansided. Winter is coming, 2017, http://winteriscoming.net/2017/01/16/results-song-of-ice-and-fire-game-of-thrones-demographic-survey/, web (ultimo accesso 10/11/2017).

“Characteristics of minimum wage workers, 2016”, US Bureau of Labor Statistics, April 2017, https://www.bls.gov/opub/reports/minimum-wage/2016/home.htm/, web (ultimo accesso 10/11/2017).

 

Filmografia

Game of Thrones, Seasons 1-7, Dir. Benioff, David – Weiss, Daniel Brett, USA, 2011-2017.

Published
2017-12-16
How to Cite
Sturli, V. (2017). Tragic Oedipus, Precarious Oedipus: Inheritance, Legacy and Crisis’ Imaginary in <i>Game of Thrones</i&gt;. Between, 7(14). https://doi.org/10.13125/2039-6597/2694
Section
Contemporary Melodramas. Cinema, TV, Graphic Novels